More finished quilts

Continuing with my finishing up Project this weekend I tied and bound White Women Can Quilt - this one is 52 x 72 inches

And then I did the borders, machine applique, quilting and binding on When Ricky met Magie (42 x 52 inches) It is so called for the combination of Ricky Tims convergence technique for the sunset panels and fabrics from Magie Relph's African Fabric shop. Originally it was to be bigger but it refused point blank to accept another border and so it is the way it is!

Oh and to reply to English Rose's comment on a previous post - needles can be taken on to aircraft - apparently they are too slim to be picked up on the security scan - and if you think about it are not dissimilar to a brooch backing. You need special thread cutters though.

Things going wrong...

Marble cake is the easiest thing to make. It also gets great praise from the two obsessively Rugby World Cup watching men parked in my lounge for the duration. However, it does not work if you casually whack the oven on to preheat and forget to turn it down to 200 degrees when you actually put the cake in.

This singed volcano like mess - burned and stuck to the tin on the outside, still fluid on the inside - was inspected by my husband's friend (officially named Denis with one 'n' but, behind his back, called 'the human hoover'). His verdict? "Whats wrong with the solid bit?"

The middle bit was duly excised from the liquid portion, iced and presented looking like something a kindergarten child made with a blindfold on . He gobbled the whole lot ( which was at least 3/4 of the intended cake and proclaimed it delicious. He did venture the opinion that looks did not matter but as we were watching some rather gorgeous Fijians thrash a pasty looking Wales at the time, I had to disagree!

That was after my hairdryer packed in. I suppose all hairdryers, when they pack in, must logically pack in while someone's hair is still half wet.... but did it have to be when all my neighbours who might have loaned me one were out and when I was in a rush to go for brunch with Dennis ( mine - see the two 'n's) because a carefully times fry up at a (not so) greasy spoon was all he had time for, what with the 8 matches on this weekend?

The local hairdresser kindly loaned me one and then we made a quick dash to Boots for a replacement. You gotta love the way they try to sell you a hairdryer. We compared no less than twelve models all sold on science. Last time I bought one, hairdryers produced cold, warm and hot air. Now they offer ceramic technology and ionic conditioning. Trouble is, they all do, so even if I knew what they were talking about, it doesn't help me choose. In the end I chose the one one with a rectractable cord and folding handle for ease of packing when travelling. But I was oh so ( not) tempted by the brand that sold two identical dryers in different boxes. The only difference with the second box was that it included a 'FREE!' ceramic hairstraighter. Oh, and it cost £10 more than the other box.

Odds and sods

I am conscious that I am not being a consciencious blogger at the moment but I have three excuses for the last few days:

(a) I am undergoing training to be a collaborative lawyer which is a whole new way of practicing family law and so I have my head stuck in participation agreements and the like.

(b) I was away at the weekend at Mum's and my Morceau quilting class. Mum and I began to design our embroidered quilt ( actually having declared her total lack of design capacity Mum pretty much picked out what we were going to do amd I agreed and drew it for her!) and then I came home with instructions to come up with all the embroidery designs for the centre portion and I spent 6 hours flat yesterday working on just that! We went shopping together and started very well with exceedingly well priced solid black fabric which I then got a further 20% off and a few skeins of DMC embroidery silk. We then slid a little by deciding that several borders had to be in order-only dupion silk at £14 per meter... but the colours ( which Mum mostly picked) are black, gold, magenta and purple ( for grapes on a grapevine border she wants) and will look, I think, deliciously rich and, well, rather clerical, as is appropriate for a quilt based on an exhibition of sacred texts.

(c) I am on a massive finishing up session to get at least some of my WIPs finished before half term in October so I can justify taking a whole new set of uncut-into fabrics on holiday and making a quilt in a week down in Bath. This is a simple wallhanging for Christmas I have just completed - started on the plane and in baggage reclaim at Manchester a few weeks ago.

And I have quilted the quilt pieced mostly when I was in Tunisia. This is for my Gran for Christmas.... the Gran who rang tonight to declare that she wasn't doing Christmas presents this year. She was makng a charity donation instead and didn't want to be given anything for herself..... Tough!!! Its nothing innovative but I like the colours and it was easy to handpiece whilst on the go.

Sad news

Most of you will be familiar with the work of Laurel Burch , famed for her felines and mystical horses amongst other works, and have probably at least coveted one of her bags if not bought one.

Sadly I stumbled on a blog today notifying of her recent death. Condolences can be left at her website. I did not know that she had suffered very badly from a rare bone disease. For me it makes her art so much more beautiful that it came out of such adversity.

Abataka

I have a new book. (Yes, another).

This is a catalogue of quilts by Mary Fisher who is a UN goodwill amabassor to Africa on their AIDS project. The quilts are accompanied by short bits of her writings about her African experiences. Sections showing her sculptures and her textiles are accompanied by extracts from her speeches. Her quilts feature printing with woodblocks or lino cuts and often have words from her speeches incorporated. the book is very well produced and I was not charged extra for international postage. It is available from http://www.maryfisher.com/abataka.htm

Sacred

Last nights activity was much less macabre than the day-before's; I called in at the British Library to see their Sacred exhibition. Unimpressed for the first few moments looking at pages of old books with old calligraphy I turned and saw some illuminated pages of a Hebrew Bible and that quilty bit of my brain went 'DING!'. For a while now I have been persuading my Mum to work with me on a quilt - she is a talented embroiderer, albeit not someone who enjoys doing her own designs. So, when she finally agreed, the task was on me to design something. All the embroidery books I looked at seem to be flower focuses which is not my taste but I am now geared up to design using images from the catalogue. I am now just wondering what the recreation of our ( seemingly traditional) show judges will be to the replication of a 18th centrury depiction of a scene from revelation containing a seven headed serpent sweeping bodies into the burning abyss! Actualy maybe last night was not all that much less macabre.....

Taking embellishment one step too far

The great thing about working n London is that there is always something you can do in the evening after work. Yesterday I went to the Wellcome Trust building on Euston Road just down from my hotel. You may know the name as a medical institution but they also have three galleries with displays linking medicine and art. One was a sample of the many many vaugely medically related things Henry ( I think that's his name!) Wellcome collected, from torture chairs to Japanese sex aids, to anatomical models to glass medicine bottles. Another is about the heart with everything from Egyptian papyrus pictured of the heart to a pickled human heart removed in a transplant operation. There is even a film made of a heart operation very bizzarely narrated with a voice over of a Billy Graham sermon. The third related to five aspects of medicnine today. That included obsesity which promtly made m walk very briskly to buy M&S blueberries for my supper!

Of course, I am now well trained in using displays like this for quilting inspiration but what I learned most from this trip is that you can take embellishment too far. Three things I saw were:

1. Pictures of the heart drawn by a psychiatric patient in Germany who used to stick pencils up his nose until it bled then used the blood as ink. ( He drew well though!)

2. A chinese shop sign from which hung a kind of beaded curtain made of human teeth.

3. Tables with human sillhouettes on them. Turns out they were made by removing all the veins and arteries in a human body, laying them out in their right places on a block of wood then varnishing them down.

Members of my twelve my twelve group should be very grateful that it is a long time until I have to set a challenge theme and so there is a good chance I will have forgotton these influences by then!

Quick update

I am just back from the Great Northern Quilt show Harrogate. I called in at Pennypot Patchwork on the way - a new shop to me. This time the show seemed small and quiet and did not really justify the day and a half I set aside for it - but I had to stay as I was collecting my quilt at the end.

I stayed at the Premier Travel Inn near Leeds - Bradford airport and was mulling over the wisdom of this - would I have been better getting up really early and driving over just for the day and having the cash to spend? The dilemma was solved when I realised that I had been allocated a room near doors that slammed and that the other otherside of the wall on which my headboard rested were several extremely squeaky steps. Not a major problem, but enough to genuinely keep me awake for half an hour or so at night and then wake me up at just before seven in the morning as early leavers departed.

Premier Travel Inn still has their' good night sleep' guarantee ( although they don't advertise it so much these days). If you don't get one, you get your money back. I didn't, so I did and then I made the lady from The Shuttle who was selling fabric at £5 per meter very happy the next day!

But no photos of my haul becuase I have already stashed it all away without thinking. I have now ( several months too late says my husband) reaslied that I am at the stage where I have to focus on stash reduction and WIPs for a while. So no more serious shopping ( except for a little planned splurge at Midsomer Quilting in October because that's my favourite shop and the holiday would not be the same without a little trip there) until Easter next year... when I go to Midsomer Quilting again and then just after there is the Trentham Gardens show. Oh, and except for the Nantwich sale in January when fabric is so cheap you'd be mad not to stock up on backings at least...

But now to London for the week to work so I may go off radar for a while!

Quilting CV

We have taken on two new pupil barristers in my chambers and I have been reading their CV's. They are frightening. Whe I got my first trainee job it was sufficient to have good A levels and a decent chance of getting a good degree with an intention to go on to law schoool. Now they have all their accademic and professional qualifications already. Plus they have done things like learn conversational Java when on a solo motorbike journey across Indionesia, or work in a death penalty center in Oklahoma. They have done interneships in Strasbourg and one of them has even been the scretary general of some UN student group - I mean it wasn't quite Kofi Anan's job but was still pretty impressive. ( I have not made any of that up).

It made me depressed at my inadeqacies so I decided to review my skill set and give you my quilting CV:

I have undertaking the following roles for at least twenty months:

Small business support officer
Responsiblity for assisting sole traders and small partnerships in the fabric retail industry to maximise their trading profits. Worked with not only UK traders but also with dealers in the US.

International communicators director
Responsibilty for writing, producing and disseminating a focused textile related journal with a potential readership of several milion in an international forum

Production engineer
Responsibilty for managing over fifteen ongoing design and manufacture projects each requiring detailed attention to pre-production design, mechanical and mathematical calculations, the maitenance of machinery and the end fabrication processes.

Spacial organisation faciltator
Responsibilty for the ergonomics, health and saftey of the storage and production areas to include financial planning and manual construction of fabric containment units

HR/ Family Liason officer
Responsiblity for negotiating allocated time allowances, compromise agreements and time-loss compensation agreements with non-quilting sectors within the home organisation

Budget supervisor
Responsibilty for creative budget planning, the establishment of specific textile-dedicated allowances and the rationalisation of non-textile budget areas to allow for sector expansion.


What have you been doing with your life?!

Blog help needed

I thought I was being clever by writing a couple of posts when I had time and saving one as a draft to post tonight. However, when I do that it posts it to the date I wrote it first and not today, which means if you are reading this is is now two posts below and so not obvious to anyone who logs straight onto the blog and is not notified via bloglines that there is a new post.

So now I have had to post anyway to alert you to the old post (are you following this becuase I feel I am slightly losing the plot myself!) but also to ask: am I missing something obvious on blogger? Can I save a draft and date it on a later posting date?

Twelveby12

Ia m very excited that I have been included in a by invitation online art quilting group Twelveby12 - so named for the size of quilts we are going to be making bi -monthlly. We now have a new blog on which you can follow our progress - come and have a look! There is a list on the site of the members and links to their blogs which are well worth following. I'll try and remember to let you know when actual quilts are made and posted.

My friend Chris

One of the best things about quilting for me has been the making of so many new friends all around the world. I always wanted to be in an old fashoned Amercian quiting bee. Well, we don't hand quilt and we don't eat grits, but the 'girls' in my City and Guilds class have recently started meeting occasionally in each others home's to gossip and sew together.


Last time it was just Kristina and myself but we had such good fun. This is her in her inside studio. ( She has another outbuilding with dying space downstairs and long room for her quilting frame and othercrafts upstairs and is about to build a dedicated studio in the loft space of a new double garage, lucky cow!). I am just fascinated with other people's sewing spaces, aren't you?


Here am I in another corner of the same room holding up one of her C&G samples that I wanted to keep because they were all Africany and beautiful.

And this is a photo of her patchwork turkey that she sent me a photo of unasked for, so she obviously wants me to show it off! And a very nice turkey doorstop it is too.

One seam flying geese tutorial

Having spent a week in Tunisa making geese the hard way, by hand with half square truangles, I came home and discovered this super quick technique. I found it demonstrated by Ricky Tims on The Quilt Show and by co-incidence founs it again the next day flicking through a book called Quick Quilts in a Weekend. Ricky learned it from someone else so I am guessing it's no secret. It was new to me though so I am also guessing it might be new to some of you. It produces three dimensional geese with little pockets.



1. From your background fabric cut two squares each three inches square.



2. From your goose fabric cut a rectangle three by five and a half inches.



3. Place a square right side up.



4. Fold the rectangle to align the short sides with the wrong sides together. Place ontop of the square with the aligned short sides at the bottom of the square. The fold at the top will come slightly short of the top of the square.



5. Set the other square on top right side down.



6. Sew a quarter inch seam along the right side taking care to keep the fold at the top as you work.



7. Press open the top square



8. Pull out the goose and press down. Hey presto!!

Whats on your wall?

I find it almost impossible to concentrate soley on one project at a time. Leaving aside the WIPs in boxes, this is my design wall tonight.

First we have samples of different forms of applique for my City and Guilds. We have all decided to make them in co-ordinating blocks so that after the course they can go in a quilt.

Then there is a block which is the start of my next challenge quilt with Lesley - we are doing a kind of wonky round robin. We each are to swap one block then build it up a bit - not necessarily with a border, but in any way we choose and hand it back, build on it and so on until the owner of the original block deems it finished.

Down at the bottom is another sample that I just had to make after reading about the technique in Quilters Newsletter. I read it at 11.30 ish at night, got up and made it at 7 am! Having made it I have decided do do somthing similar in the borders of this, which is a Ricky Tims convergence with a Brixton twist! The little flying geese are Ricky's method of three dimensional geese - I'll post instructions tomorrow - they are easy peasy and so fun. Random pieces on a board but a complete quilt in my head at the moment!

What's on your board?

Shoes, sisters, sticks and silliness

It is hard to understand how sisters can be so different. I like smart things. These are the slippers Ii was wearing when my sister arrived last night. ( Handmade and imported by me from Morrocco.)

These are Jen's shoes:

They are Crocs. (Look like plastic boats to me). Crocs have holes in them apparently ( What's that all about?) and Mark, Jen's husband managed to buy then for her just as she came home from a health and saftey talk at work where they were banned from wearing shoes with holes in. She is a nurse and the logic is that there is a danger of getting needlestick injury if the needle is dropped on a foot and goes through the hole.

The rule is still in place despite the fact that the A&E staff apparently spent quite some time throwing hypodermic syringes at a pair of crocs and failed totally to get any of them to land the the holes. So the solution was to fill the holes with these plastic animal 'gems'. (Gems to me means diamonds and sapphires).She works on a Children's ward so I guess she can get away with it. They look rindiculous to me but perhaps I am out of synch with foot fashion. Is there a market , do you think, for plastic quilt blocks to cover holes in our shoes in case we drop a Jeans needle into them?

New printer for fabric

Both of our Canon printers packed in recently so my mission for today was to buy a new all in one printer- and possibly a cheap one just for documents. My primary requirement was one that would print well on fabric and had an easy facility to enlarge on the copier. Having no idea where to start I googled sites about fabric printing and most people seemed to be saying Epsom or HP worked fine. Of course, because printers seem to be made for two months then discontinued, the precise models recommended were not really helpful.

So I then factored in the time consideration. PC world here have a facilty where you can choose and order on line to get web prices, then go and collect from the local store to avoid a delivery fee/ wait. As the store is 2.2 miles away this is a good option. Den's view was - get the best if you are going to be quilting with it ( gotta love this guy!) so I just started at the top end of the list, ruled out those with faxes becuase we have one and narrowed it down to the top range Epsom or HP.

As the spec details didn't cover exactly what I needed to know I rang Epsom. After listening to a lot of advertising I get to ask if the model in question enlarges.
"It does via the PC but I don't think it does on the stand alone facility."
"You don't think? Does it or does it not - can you find out?"
"It does via the PC"
You know when you just can't be bothered carrying on? So I try the second question?
Does this printer take fabric sheets?
"None of ours do."
"That can't be right. there are lots of web sites with people telling me that they actually recommend some of your printers."
"Oh well, yes it will be alright but as a company we don't say that."
"Fine. I think I'll buy a HP then."
Stunned silence.

I ring HP. I ring a local number but get someone with such a deep south US accent he is hard to understand. I already know that this printer enlarges. So, does it take fabric sheets OK and in particular are the new inks this printer uses OK because I had seen one review saying that a particular brand of HP ink only has 50% durability?
"What do you want to do with it?"
"Print on fabric sheets."
"Ummm...."
"For quilting...."
"Ummmm...."
"Its very common in the US. there are several sites recommending HP - some of them do it as a business so I know some HP printers are fine but this is a new printer ink, so I want to check."
"You are running a business?"
"No. I want to know if this ink prints OK on fabric.
"Ummmm. There might be somthing on the website."
"On which page?"
"Ummmm..."
"Look, if you don't know, could you just say so?"
"Can you ring the business support centre on Monday?"

In fact, if you go to the HP website and search for quilting rather than fabric ( which is what I tried first) there is a whole how to page with lots of links to projects and they even produce the fabric-paper!

So I bought the HP Photosmart C5180 and off I go to the store.

Now, for economy reasons we did wonder whether it would be a good idea to buy a cheapy black and white printer too for documents. So I was trying to puzzle out which brand did more pages per cartridge and compare the costs of cartirdges ( impossible task by the way) when a helpful lad called Gary arrived.
"Have you thought about a laser printer? I've got one and this one is only £40."
"How much is the toner?"
"£75"
"How much??"
"Ah but you get longer out of it than an ink cartridge?"
"How, much longer?"
"Oh you won't need to change it until it runs out."

I decline to buy a second one. I am given the receipt for the goods I ordered on online which gives a bar code to be scanned in at the till and should include the half price cartridges I added in store and which Gary added to my internet order. The sales assistant scans the bar code. £161 and pence.
"Is that right?" he asks.
"I don't know, I didn't add everything up - does it include the batteries and CD's I put in the trolley?"

He peers at the computerised screen. It doesn't have a itemised list. He stabbes a finger at the touch screen and it says, "This will cancel this order. Do you wish to proceed?"
He proceeds.
"Oh dear," he says. I can't find it now." He is totally non-plussed
"What if you just scan in all the items in the trolley?"
"But you might have discount."
"I do, but we could put that in manually."
"Can you just wait to one side while I serve the rest of the queue."

I grab a passing girl and explain. She comes back with Gary.
"Don't you want it all anymore?"
"Yes. I very much want it, its just that your colleague can't work the till."
"But Janine said you were cancelling the order."

God help me but I am beginning to understand people who take semi-automatics in to shops!

Design wall

With all my travels I forgot to show you the design wall that was the final part of my dining room-to-studio- project. It was another collaboration with Dad - I specified, he re-designed, he built, he drove it down on his trailer on a special trip after we discovered it was too big for either of our cars (and we don't drive Fiat Puntos!) and I paid for it!

This is the back view of it in his garage. I will photo it in situ soon.

It is foam board in a pine frame, made in two panels each 6 feet by 2.5 feet. The panels bolt togther to give a larger work space but unbolt for easier carrying out to the garage where it will live in storage when not in use. ( In theory - so far it hasn't left the house!) It is covered with needlepunch wadding stapled to the frame.

It has a tiny little red spot on it which I assumed was a bug that met its end in a kamikazi dive into the board. Turned out Dad got a bit close to the staple gun.....

Blog alteration

Quick note - I have altered this bog so that you don't need a google account to comment. I returned home to find a new reader had found the blog, was reading it all the way through and had bothered to send me email comments on it all because she couldn't do it on the blog, not having a google account for her own. (Julie, you are wonderful!) I hadn't realised that I had excluded anyone that way. So, if you have previously been excluded from commenting (a) I am sorry and (b) come on in, all (non - spammers) are welcome!

Back from Tunisia

Ok, call me stupid but I have just returned from Tunisia and, when I booked, I actually believed the average weather charts which said it would be around 34 degrees. It was in fact around 44 - 45 degrees which for me is way too hot to do anything than lie in the shade or dip in the pool. In fact by mid afternoon it was too hot even for that. Fortunately it turned out that in the air-conditioned lounge there was a quilting demonstration each day........
.... so you have no design wall - why not trail threads over someone else's sofa back?! There was one woman from Stafford who kept sidling past having a good look and who is now on her way to her local craft shop because she now knows what to do with the FQ's she kept looking at ('such lovely colours'). The waiters are still trying to figure out what I was doing with a towel and a travel iron on their glass coffee table. And of course, once I got on a roll, I couldn't stop.. here I am at Monsatir airport...


... and again at baggage reclaim in Manchester on a Christmas quilt by now because the flying geese top (sans borders which still need to be bought) got finished on the plane!Because we had booked leg room seats, I had to put my box up in the overhead compartment for landing, but kept some squares and my needle and thread down. For those who constantly ask me how I manage to get so much done I can tell you that one can handsew five and a half seven inch fourpatches in the time between the seat belt signs going on and the plane arriving on stand!

This is a picture of a picture on the landing of our hotel ....( really I told you we did nothing sensible you could take pictures off! Ok we went to the Marina a few times to eat but it was too dark then for piccies!)... because even Dennis said it would make a good quilt. ( I think he is getting the quilting equivalent of Stockholm syndrome).

One final tale - we were in the swimming pool and we over heard some rather small but loud south ('sarth') Londonders trying to work out what 4 feet nine was in meters, presumably in relation to the pool depth markings. Dennis and I just looked at each other becuase (a) he is Mr Calculator Head and is known for blurting out impossible calculations at will without even realising he has done it and (b) because I am a mental arthimatic dunce.

"No, come on," he said, "Even you can do that now. That's a quilting calcualtion. Go on, try."

Now bear in mind that in order to do anything in my head I have to do Carol Vordeman like contortions and break it down into easy stages (Countdown - its a TV programme you don't mind missing if you are not British and don't get that reference!)

So I go, "OK. there's thirty nine inches in a meter. Twelve inches are a foot, so three feet is a meter plus cutting space. So six feet is two meters and that's loads more than four feet nine so the answer is two meters, that's plenty."

I think Dennis finally understands how every time I make a quilt my stash actually grows a bit!

Kaffe Fassett class

When I got the programme for the Festival of Quilts it seemed a natural choice to do a colour workshop with Kaffe Fasset given that I love to work with a whole range of colours.... as long as they are copper, gold, ochre, beige, sand, rust....! Ok. Brown. There is nothing wrong with brown. But I confess to looking at Kaffe's fabrics and hating them but loving his quilts. So, wanting to understand how to get from one to t'other, and be brave enought to have a go, I signed up.

It was a day class based on his Frothy Quilt which was in one of his older books and reappears in his new book Quilts in the Sun. We were told to collect 25 fabrics in 1/4 0r 1/2 meter pieces in two complementary colourways in differing intensities and that we could cut into the required half square triangles before hand to save some time.

So, I was a bit bemused as to how it could take a day to teach us how to assemble tringales. Esecially as we were not even sewing them, just pinning then to a portable design wall ( flannel sheet) to take home. But all became clear.

Firstly it does actually take a long time to pin all those bits to a sheet! However, the class is not about patchwork technique ( although Rowan pattern writer Pauline Smith was on hand for those who needed help with technicalities). It was about colour.

Once we had got some fabric up - as in the picture above- in any order but following the light and dark pattern placement, Kaffe started to prowl and give advice. I found him contemplative, gentle and respectiful in his advice but definate at the same time. When my first pieces were up I stepped back to look at it and he joined me and asked what I saw and what I liked. His advice was that I needed to deepen the colours from my pinks and cobalts - the prints were different but the tones all a bit samey. He suggested taking the blues to purples and the pinks more to the orange of which I already had a flash and had said I liked. When he suggested more vibrant pink I laughed and said that compared to brown I thought my pink was exceedingly bright and he said 'Oh no, I'm talking Barbara Cartland's dresses pink." You can see two sample pieces from Pauline's scrap stash pinned up to the photo above as we experimented a bit with his ideas.

At that stage I got to go shopping with Kaffe down at the Cotton Patch stall in the festival hall proper and I began to add in the five new fabrics I picked. ( I did really pick them - he approved them!) I think you can see from this photo the difference it makes.

After lunch we worked some more and then Kaffe went around the class giving a 'crit' about each quilt - his response to the colours ... here he is saying that mine is ' rich and passionate'!....He was very positive about each quilt and I began to wonder if he could genuinely like every quilt and find only good in it. But then he came to one which was in oranges and greens. He said that this was an example of one that didn't work and that he had been arguing with the maker about it all day but she liked it as it was which was fine. However, he said that he would add in more colours and tones as, although hers was orange and green, it was flat and reading as if it might as well have been black and white. He held just one triangle of pink up against it and the whole class ( except the maker) ooohed and ahhed!

The class cost £65 which I think was expensive but I certainly don't berudge it. I did not get a whole ream of notes as I once did in a Dawn Cameron Dick class - the lessons learned were much more subtle and mostly by doing and being nudged rather than being lectured to. The main lesson I learned was to take my colours a little further round and deeper into the colour wheel than I am used to. It was also interesting to see how the same pattern came out in other people's fabrics - you can see some works in progress above and below..

My lesson was in adding colour - for other people it was taking it out and being willing to cut a little, stick it up on the board fast ( Kaffe's exact words were ' just run it up the bloody flag pole' )so you can see how it works and if necessary scrap it and go to something else.

I have been assembling the blocks today but am now so tired I have starte dto rotate the bocks as I sew which is my warning sign to stop. When eth borders are on I'll show you finished product. But, however it tuirns out I have proof that it has been touched by the master...