All roads lead to quilts

My husband's Hifi was ancient save for the modern addition of a CD player which cost all of about £34.99 a few years ago. For a music buff this is the equivalent of a treadle sewing machine so not unreasonably, ( and after I took delivery of my semi-professional sewing machine) he bought, for an extremely good price, a new, tiny and higher tech Hifi.

Fine. Only It looks daft in the much larger cabinet bought for the old one. And it has an aeriel that has to be pinned to the wall and which now looks like a black varicose vein up the wallpaper. Which, now you come to look at it closely has got a bit faded. So I made an executive decision that the only solution was new cabinet ( I'm thinking one with drawers to hold fabric and may be even one or two of his CDs) new wallpaper and custom made quilted wall hanging to cover the aeriel.

So off to the wallpaper shop. Dennis hates our local curtain and paper emporium Shaws with a passion. He shakes if I make him go in there and look through racks of to-order wallpaper books. So we went to a shop my Mum recommended - Slinns. Which I got Dennis to on the basis that it was more like a B&Q warehouse with racks of choose-and-walk-out-with-them rolls of paper. Which it is. Only nothing off the rack suited. It never does. So then we had to look through all the racks of paper books whilst standing up because, unlike the delightful Shaws, Slinns being like B&Q , do not provide chairs.

Dennis did very well. Very well indeed. Once he got over the habit of trying to guess what I liked and just got into comparing the paper against the sofa cushiosn we dragged in with us because he finds it so hard to carry colours in his head, he was fine.

We began to stack up the open books with possiblties in. One pile I then spread round the cushion, one particular paper stood out for us both as being just the right shade and we put all the other books back and off we went to order it. Only they don't sell it. So why is the sample book out? Because the manufacturers don't tell them which sample books they have discontinued. They just provide a catalogue with an index of what they do sell. I asked why on receipt of that catalogue they didn't just go to their racks of books and take away anything not on the list. Blank look. Arrgh. Why is customer service and common sense such an elusive thing these days?

I was all for denying them my custom and buying said expensive (don't ask) wall paper from Shaws but Dennis started to shake so we had to start again with a second choice , distinctly hampered by the fact that we couldn't remember which books contained out shortlist.

The only happy thing to come out of this was that I was so furious at the staff for wasting my time that they let me borrow without a deposit the 5 sample books in my second pile which contained wall paper that I have no intention of buying but which have design or textures that would make wonderful quilts. I never thought of looking in wall paper books for inspiration but it proves to be a good source.

Such a good source that I might end up with so many wall quilts that we won't see the paper we strove so hard to buy in the first place.
Ah well, tis life.

Off to Bath for a week in a flat for a break early tomorrow so may be blog lite. Not lite in any other way mind you - I have three large bags packed for a seven day trip. One with clothes (and shoes., always so many shoes!), one with fabric and one with sewing machine, and there are two quilt shops within easy reach so I antcipate being heavier on the way back......

City and Guilds Lines Final Piece (b)

So here is the 'resolved piece'. I am a bit worried that for a lines module and considering how I used lines to design it how few lines are in the end result - but hey, its done and I can explore something else now. Oh and I smudged the arm using pastels. Grrr. But no time to redo it.

You can't see the glittery lines much on this photo but they are twisted and knotted Madeira threads - they look much more like barbed wire than on this picture.

City and Guilds - Lines Final Piece (a)

The first module of my City and Guilds is almost at a close and I have been busy cutting and gluing as the final task is to produce a 'resolved piece' showing all the stages in the design. however, we are not allowed to actually sew or quilt anything although fabric can be used as a medium.

In this entry I am posting the series of crayon drawings I produced ( in a Travelodge room in BirminghM one night!) as inspiration for the final design. The design must be intended for a particular type of product - an table runner, a cushion etc. and I decided to design an art quilt in memory of a 25 year old Polish Jew called Salka Wildfeuer who was a victim of the Holcaust. I have recently become a 'Guardian of her Memory' in a programme run by Yad Vashem which involves you receiving details of a Shoah ( holocaust) victim and wearinga lapel badge and lighting a candle in memory of them once each year. Details can be obtained from guardianofthememory@yadvashem.org.uk if you are interested. You do not have to be Jewish ( I am not) just concerned that this - and indeed other atrocities like it - should not be forgotton. The hope is that each victim will be remembered by someone.

Anyway - back to quilts. I was playing with lines in the shape of fire as her name means wild fire, the symbol of remembrance is a flame and, whilst Salka died in 1942 in Maniowy, almost all her extended family died and were cremated in Auschwitz.

The commentary on these pages from my portfolio has not come out well, but basically I was playing with fire ( as it were)...


but wanted to get away from this fleeing image from flames of destruction....


Played with just blue lines... ( the Yad Vashem flame is portaryed as predominently blue with a tiny centre of white -yellow)

and eventually used straight blue lines to represent both continuity of lineage and memory and as a reference to the flag of Israel and Jewish prayer shawls. I also wanted the lines representing Salka to have more defiance.

I am now making a paper and fabric collage of this last design - which I hope has more direct reference to the Star of David in the flames- and will post a picture of that soon. Currently part of it is a fabric shape painted with PVC glue and drying over a frame made of chopsticks and grapes in my kitchen!

Bags

Up to Morceau today for the open class and I decided to leave the on-going quilts in abeyance and make a bag to cart my City and Guilds stuff around in as I am sick of packing and unpacking the same bag for work/ travel/ play. I intended to make something inspired by Brenda's strip bags but, well, I didn't. This material came out of the stash selection I took with me and the whole class decided I just had to use it. So here is my new bag.


It was only after I made it that I thought to try to put the travel cutting board in it and it fits like a glove. Serendipity ( to coin someone elses website!).

Quilting on the hoof

It is now that time of year where I am on the road teaching only making pitstops home to change clothes and pay some cheques in. Oh and to make 22 foundation pices log cabin blocks yesterday - well, I was determined that I should have some time off. My work pays very well so I am not really complaining but I do get a little wistful ( hell, lets be honest, I get sheer resentful these days) when I can't be at my machine for at least a few minutes a day.

So at the start of September as I ran out to catch a train I grabbed 6 fat quarters, a pair of scissiors, pins, needle and thread and began hacking up and sewing back right there on the train. The result is these blocks. There are actually about 20 of them and I have no idea yet what use I will put them to but they have kept me company in several hotel rooms whilst watching bad TV.

I did resolve recently to rearrange my working life into a better balance so that I didn't work weekends at all. Sadly becuase I take bookings up to a year - 14 months in advance it takes a little while to implement these resolutions and so I found myself at this keyboard today ( Sunday) writing an opinion. Grrr. I wanted to be at those strips and log cabin blocks that are scattered all over the dining table. To make the experience less arid I did my usual trick of going to the BBC website to listen to something on playback. Oh that the BBC did a radio show about quilts I thought . Da-Ding! Memory Flash - ddn't I read somewhere that there was someone in the States who did quilt podcasts.....

And so I discovered the shows of Alex Anderson. You wouldn't think that you could 'do' such a visual topic on radio but the three I have listened to so far whilst working have put me in a much better mood! Check her out on www.alexandersonquilts.com.

(pre) Senior moments

I am too young ( I hope) to admit to senior moments but I do have to confess to being a ditzy cow these last couple of days. I mismeasured the backing I needed for the pink garden quilt I posted a few days ago and ended up 10 cm short. So I decided to piece this strippy back and make it reversible. I planned with great accuracy so that the ties which were going through at the midpoint of the nine-patches on the otheside would come through in the thin strips on this side.

Only I forgot to add any seam allowance. So they don't.

Then I decided to learn how to foundation piece and started with some log cabins. I've made log cabins before but not this way and I want these to be very accurate so I can use them as a border around a centre piece of maple leaves. I was delighted with the first attempt. Precisely 7.5 inches square. Until I realised that it should be 8 inches. When I trimmed it I had cut the seam allowance off!

Then I forgot to change the paper in the printer and printed out my lecture invoices on foundation paper.

I am blaming it on all the travel and the subtle way it addles your brain. I am away again this afternoon to London for three days. Dennis however is with me this time as his old throat problem has resurfaced and the best he can manage is a squeak - no good for controlling a class full of unruly school children. So at least I will have some company and an excuse to try out some new restaurants in the evenings. Although I am feeling a smidgen guilty as I have a first class rail ticket and because he only booked yesterday he couldn't get any of the sensibly priced special deals and so is in 2nd class. (Full price is almost £300 - ridiculous for a journey of just 2hrs 10 mins.) Of course I could use my ticket in 2nd class and join him..... but I don't feel that guilty. And as he so generously pointed out - he can't really chat to me anyway!!

Quilter's exercise regime

I am back from a week of trailing my suitcase (and bag full of handsewing and art equipment and Waterstones and M&S bags acquired en route) around the country. Time to relax with some quilting. But soon it occurred to me that I might ditch my gym membership ( which at this time of year I never use because I'm not here) in favour of quilting. Here is today's exercise regime.


Aerobic warm up
Carry fabric from upstairs store cupboard to machine downstairs.
Go back up for FQ you droppped on the landing.
Go down. Start to sew.
Decide thread colour is wrong. Go upstairs for thread box.
Carry it downstairs. (Note for most quilters this step also has an element of weight training involved.) Sew.
Realise you have forgotton the precise method for your chosen technique.
Go upstairs to bookshelf for manual. ( For advanced practitionsers keep this on bottom shelf to incorporate squat)
Go downstairs. Decide technique is harder than anticpated and really requires mini chocolate bar stashed in handbag upstairs ( liberated from hotel conference facilties). Go upstairs.
Come down
Repeat ad nauseaum.


Sit/Stand squats
Sew one line. Stand, pushing yoursef up without use of your hands on the chair. Walk to ironing board. Press fabric. Walk back to chair. Sit. Uses thigh muscles. For advanced level do squat whilst at board. Repeat for 8 seams per block and 40 blocks per quilt.

Yoga stretches - upper shoulders ( also tones arm muscles).
Grasp one corner of kingsize quilt top in eachhand. Stretch out arms until top is taut. Hold up and mantain tautness for what seems like years while panicked husband looks at it and tries to discern what particular element of it he is supposed to comment on.

Yoga stretches - lower back. ( also known as basters bum).
kneel on floor in front of quilt which should be pinned to floor with wadding and top set out. Stretch straight out keeping lower back straight to pin/ baste quilt. Gradually increase stretch. If necessary let your botom rise until it is sticking in the air.

I am sure there are more movements but I really should be working now so I'll let you devise your own.

City and Guilds - Lines (3) - peppers

Today was my second C&G class and we spent the morning drawing fruit and vegetables. My attempt at an apple failed becuase it was so juicy I just had to eat it. These however, are some of my attempts at a pepper ( they don't scan very well). The idea is not to be a good artist ( which as you can see is just as well) but to start to look at lines in more detail and to be observant about what is around you which can then be used in the formation of a design. I have to say that in all the years I have been chopping pepper and throwing them into a pot I had never noticed all the fine lines inside them. Nor, as I usally cut the top off first, rather than doing a pure disection as I did today, have I ever noticed how the seeds hang to the stem.



Part of what we are learning is 'mark making' using different media to see the difference in the lines on the page. The next step is to isolate part of the sketches with a window template, enlarge and then develop that set of lines away from its origin into something new.
I had actually never used waterclours before this exercise but bought a tiny starter palette in a plastic travel box just to do it and with one pepper I am kind of hooked. I had seen other quilters, in their books on sources of inspiration, show holiday paintings which they had then used for colour or line ideas on their return, and dismissed that as something I could not do but, in fact, I now think perhaps I can - I will be trying it out in due course. Not least because a fellow student had a gorgeous wooden box full of paints and I love boxes full of things so I need a justification to get myself one. But more seriously I can see now that painting the scene to use in quilting already has one step of simplification and interpretation in it which photography ( my preferred medium) does not have.

Another task I have to start soon is to produce a few pages in my display portfolio on an artists influenced by line. Well, that at least is easy, having been reading Nancy Crow's new book. Inspiration on a plate!

No fear quilt

A little while ago I bought 174 Fat quarters of batik fabrics which came nicely folded and they looked so beautiful when placed in my wicker storage baskets that they became quite indimidating in that I thought I'd never have a quilt idea that was quite good enought to cut into them and if I did I'd never chose which of the 174 colours to use. So eventually I decided to hack into them and make whatever turned out. ( To unfreeze myself I promised that if I grieved for the used FQ's I could buy more to replace them!) So I selected a few bright ones, having been sitting in my garden smuggly appreciating the fact that against my father's advice we painted the fences blue becuase its a great way to keep the garden bright in autumn when you forgot to plant any flowers as we did this year!

So I began last weekend with a simple fourpatch proposition, no pattern and a challenge to make somthing to use outside so I could prolong the use of the garden into these chillier nights. The photos below show its progression on the design wall to the top finished yesterday and placed on the bench it was intended for. As you can see, I ditched the sashing in favour of a border at the last minute. I had a lot of fun just cutting away and there are loads of strips left so there will be a mix and match somthing to come I am sure.

Wadding (batting to you US readers) and backing ( plain bright pink) was purchased today but no time to finish it as I have to go away to Leeds now for 3 nights then Birmingham and Manchester before finally arriving home on Friday evening. ( So there will be a blog gap as I for once and not hefting my laptop around with me. The suitcase contains handsewing though!). I intend to tie it on my return as it is meant to be quick and casual.

Weird day

I spent all today sitting in my judical capacity deciding how much of the £79,000 litigation costs claimed in a High Court action were reasonably incured and should be paid by the losing party. Then I came home and since then I have sitched lotss of pink squares togther, made lines for my course by, among other rings painting a pience of dried, ridged, penne pasta and rolling it over paper and by painting the paper and dragging the strings of my hard boiled egg cutter through it. Now I am using my scanner machine to make colour photocopies of African fabrics with lines in their design. Is this what they mean by work life balance?

Books

Diane in her recent post set out a list of book recommendations. We have a lot of authors we like in common (e.g Elizabeth Berg, Joshlyn Jackson, Jeanne Ray, Judy Henricks, Michael Connolley and Jodi Picoult. But there were lots on her list that I'd better check out as we have overlapping tastes. Which if you read my post on clearing out you will know is just what I need - more books. I could get then from the library but then you have to give them back :( Plus I can't abide the feel of that plastic stuff they insist on covering them with.

In fact I have not read anywhere near as much fiction this year as I usually do becuase I have been so busy with the quilting and have accumulated a whole shelf of books on that. In fact I have to recognise that it is some kind of sickness I have, because I have in fact acquired another 7 just this week ( three borrowed, two gifts, two bought.)

So here is my list of some fiction to try if you have read everything on Diane's list together with some of my favourites from the quilting shelf:

Easy undemanding reads for bedtime or times of sickness

The No 1 Ladies Detective Agency ( and the rest in the series) by Alexander Mc Coll Smith
Eleanor and Able - Annette Sandford
Romeo and Juila - Jeanne Ray


Good more literary novels

We Need to Talk about Kevin - Lionel Shriver
Purple Hibiscus - Chimamanda Ngozi Adichie
My Cleaner- Maggie Gee
Disobedience - Naomi Alderman
Small Island - Andrea Levy
The Abortionists Daughter - Elizabeth Hyde
Love and other Impossible Pursuits - Alyelet Waldman
House of Sand and Fog - Andre Dubus III
Everything Anne Tyler has ever written


Books offering at least a hint of another culture

Londonstani - Gautam Malkani
Frangipanai - Celestine Hituara Vaite
Disobedience - Naomi Alderman ( winer of the Orange prize for first novel)

If you liked Ya Ya Sisterhood...

Angry Housewives eating bonbons - Lorna Landvik

If you liked Bread Alone...
The Baker's Apprentice - Judy Hendriks ( the sequel)
Sophie's Bakery for the Brokenhearted - Lolly Winston
All the Adriana Trigiani novels

Quilting books that go beyond the usual how to do tradtional blocks but still contain instructions for specific projects

Quilt Africa - Jenny Williamson and Pat Parker
Quilt Inspirations from Africa - Kaye England and Mary Elizabeth Johnson

Quilting books that show techniques but with no full projects

Textile art: A Practical and Inspirational Guide to Manipulating, Colouring and Embelishing Fabrics
Circle Play - Reynola Pakuscich
Making Connections - Around the World with Log Cabin
Quliting Masterclass - Katharine Guerrier

Books helpful on design ( with excercises)

Contemporary quilts - Design, Surface and Stitch - Sandra Meech
The Quilter's Book of Design - Ann Johnston

Gorgeous, gorgoeus, drool over coffee table gallery books

Spirit of the Cloth, Contemporary African American Quilts - Carolyn Mazloomi
Transitions - Nancy Crow
The Quilts of Gee's Bend: Masterpieces from a Lost Place - William Arnett et al
Art Quilts: A celebration - Robert Shaw


A book that I want to buy at a reasonable price - please email me if you are willing to sell me this because I can only find it at vastly inflated prices

Liberated Piecing - Gwen Marston

(If anyone has that book available and is not in the UK I will find a way to get currency to you or I could order another book you want for a similar price from Amazon and have it delivered to you and we can swap!)

Finally ( and especially for Diane who tells me she likes reading blogger's 'life dross' ( my phrase)) the neighbours worke us up this Sunday morning at 8.30 ( again) using power tools. Is it just me or is that unreasonable?!

Happy reading and if you are posting your lists do put a comment here so I can go and find them ( especially quilting books!)

City and Guilds - Lines (2): Photos

Blogger seems to like me today so here are my lines in the environment near the Novotel in Leeds:
Curved lines and straight along the canal walk.
Doesn't this construction site look like it is bordered with flying geese?
These photos are of 'the Bourse' a concave glass fronted building that reflects the old building opposite in its glass gridded front. If you move angles as you look at it the segments of the old building change.



The carpet in my hotel corridor!
Page from my sketchbook.

City and Guilds - Lines

Last week I started my City and Guilds Level 3 in Patchwork at the School of Stitched Textiles which is about 25 mins away from me. I thought I'd blog about each lesson and my homework in between other entries so that anyone interested in the course can see what its all about and sort of follow along.

We are starting with the design module and our first lesson was on lines. I say lesson because actually we got no teaching at all. There are three classes going on together in one tiny room and each level has a table each. One tutor does all levels. She saw our group of 4 first gave us a short introduction and a collection of handouts then sent us off to read them and to do the exercises. Which was fine but the exercises did not take anywhere near the 3 hour lesson by a long way and it being the first lesson and having been told just to bring a notebok and pen I didn't have the materials to do them! So I ended scrounging stuff then leaving early to go to an art shop nearby.

I was a bit disappointed because I have been really looking forward to starting but when I got into the homework I kind of got re-enthused. I prefer to work alone than be taught anyway. I know it is the first lesson and I might find it entirely different in the future but even if I find the imput a bit lacking throughout, attending in person is - strangely - far cheaper than the option of being taught on line so I'll keep tipping up every other Sunday!

As for the subject matter - we are looking at lines and our exercises have been, first ,to play with lines - drawing and scribbling and using different pens,pencils to draw around things etc. Like being at primary school and definately a good activity when you are tired and in a hotel room! I've been cutting up striped wrapping paper and moving the pieces around to see what I get. It all felt a bit silly at first - very primary school like but within a few minutes I had an aha! moment and began to see how playing could lead to some of the fantastic designs I've seen other people do.

We also have to collect examples of lines, so as well as hacking away at magazines and sitting in Starbucks in Leeds' Border's covertly copying designs from books on tribal art I couldn't afford to buy ( but coveted greatly) I took to the street outside the hotel with my camera.

the whole point of this post was to show you my lines - but Blogger is playing up and won't post them!! I'll try tomorrow.

On blog-gaps and blotting cookies

For those who are kind enough to read this regularly I should explain that September and October are the time of year when I start to go off around the country on lecture 'tours'. My day job includes a lot of training other lawyers in family law and they all need to collect 16 continuing education points in a year, the year ending in October. Of course they all leave it to the last minute ( well most of them) and so every company who runs courses want me to run them in these two months. So I trot off with my trusty wheely case around the country living and working in hotels. Which I why from time to time I will have blog-gaps - mostly when I am in hotels without resonably priced wireless connections or when I am just knackered and good only for watching DVDs on the laptop and eating the leftover biscuits I can't seem to resist 'liberating' from the conference facilties.

I brought some freshly cooked white chocolate chip cookies back this week in a brown paper envelope the company sent the register in. When I came to eat them a few hours later the envelope was covered in grease - it looked like I'd put fish and chips in it. Frightening to think what was in that cookie. Or frightening for about five minutes until I figured that if the grease was on the paper it wasn't in the cookie anymore so it was OK to eat it! Do you think there is a market for a Food-Blotting diet?

I seem to have a kind of hotel kleptomania. Am I the only one who can't leave behind those free pens?

One advantage of being mobile is that I do get to visit shops we don't have locally which is how I came to acquire this book by Sandra Meech this week from Borders in Leeds. Handy for the City and Guilds I've just started... for which see next post.

I also came home to find both the Nancy Crow book and a coffee table book on the Gee's Bend quilts and a catalogue from Creative Grids had arrived. Yum yum.

Sewing spaces

I have become rather fascinated with other people's sewing space recently. I visited Chris Marriage at Father's Heart Quilting this week. ( I thought she had a shop but it's mail order and commission only but she was still kind enough to invite a complete stranger to visit her at home when I rang from the ring road near her home to say I'd made a huge diversion to find her!). She has a fantastic room for her long arm quilting machine, as well as a fabric room for her sales and quilts hung up all over the house. Other bloggers have posted pictures of their space recently too.
See Brenda's in her post of September 6th
and Helen's post of 2nd September
Tami's on 7th Sept and Melody's Johnson's dying space in her entry of 7th Sept - so professional.
In the spirit of sharing here are some piccies of my colonisation of our dining room and second bedroom for quilting:

I have set up camp on the dining room table with the ironing board set up in what we rather pretentiously call the library. Behind my seat are patio doors - its been like quilting in the semi-outdoors recently with the nice weather. I keep meaning to buy some table protector to work on but it never gets done. On the table are some batiks I took to slicing into strips and squares today. The stash is in this built in cupboard in the second bedroom in various baskets and boxes. Don't look at how many boots there are... some are hidden!Also in this room is the sofa bed on which I sometimes retreat to hand work in peace if the football is on the TV downstairs. (See all those piled up books I was complaining about!)
Back downstairs, my brand new design wall is a state of the art flanelette sheet bought on sale in Blackburn and held up over the book cases with three very heavy Penny Vincenzi novels. (On an erudite day I use my husbad's copy of Proust.) On it is a quick Project Linus quilt-cum-play mat I am making with those cheap plains from Denmark.
In the vague hope of keeping things tidy and at least a bit accessible given that the main store is upstairs, I bought some food storage boxes from Asda last week and stuck some of them by the machine and some of them on top of my collection of books about South Africa which is to my left as I sew. One for each UFO. The bag is an old laptop bag I use for carting equipment to classes

What's in your bag?

This is the bag I am currently using for work. Yesterday I realised that the contents were mounded up towards the handles and it was time for a sort out, so I tipped it upside down and shook everything out. Alarmingly, this was what was inside:

I key ring with keys for one car and three houses
1 orange and mango teabag
3 hotel pens
3 bags of mints from the Golden Tulip Hotel
1 old train ticket
1 folded article on diferent types of waddings
1 journal
1 quilters calculator
2 purses ( one for personal cash, one for business)
2 glasses cases containing glasses
1 empty glasses case
1 hair clip
1 hair scrunchie
1 entry form for the Malvern quilt Show next year
7 pencils from a Chester conference venue ( great for seam allowance marking)
1 cup a soup ( mediteranean tomato)
1 set of directions to South Cave
6 tampons
1 tissue
1 mobile phone
1 long quilter's quarter
1 Fairtraide chocolate brownie
1 Officlally Low Fat Fox's chocolate cereal bar
2 Alpen cereal bars
1 Hotel key card from about 2 months ago
1 lemon and ginger tea bag
1 earl grey tea bag
1 bank paying in book
4 indigestion tablets
1 makeup bag
1 set of makeup brushes
1 milage log for the car
1 notebook used to sketch inspirational patterns etc
1 letter
1 pin
22 loose mint imperials
1 perfume tester card
1 entry ticket to a quilt show at Trentham gardens last April
1 apple
1 old used staple
1 scrap of black fabric
1 copy of a Practice Direction on Court bundles

What's in your bag?!

New Piccies

Yipee - the new camera lead came. So I can show you what I have been doing today:

A little 'play thing' using all my scraps from the liberated African quilt I did. Called 'Khayelitsha- Night'. I am aiming for a shanty town with a ramshackle use of uneven log cabins with light from the windows and doors topped with with a scrap fabric night in blues and blacks- that's the bit still in progress. Can anyone else see it? Den says it looks like a pile of fabric but then supportive though he is he can't usually 'see' anything until its finished. Even if no-one else can see it I can and its just for me so I guess that's all that matters - although comments from more experienced people would be very welcome. I still need to figure out how you edge an uneven quilt. Bias binding I guess?

I can also show you the two quilts I have just completed......I wish! No these are inspirational pictures snapped at the Kelvingrove Museum in Scotland

Re-homing books

Can any one tell me a sensible formula for deciding which books ( if any) one should (gasp) get rid off? We only have so many shelves in our house and a purge is necessary. Actually we have far more shelves than most people do. Not that the house is big, just that a lot of it is shelved. And all those shelves now have books crammed sideways on top of others which annoys me. There are also books crammed next to the TV on the bedroom cabinet and in a wicker basket by my bed and stacked up by the side of the sofa bed and... well you get the picture. Some of them are old quick read paper backs that I will never get to again. The problem is I always think I might. But I never do because I buy books so fast that they pile up and that's the very problem.

The tidy up came when I decided that I needed a dedicated shelf for my new quilting books collection. When I coralled them up from around the house even I was surprised to see that they came to a total of 34. Collected over a period of 30 weeks. With more on order. Those of course I will come back to over and over again. But what to do with the other overflowing books?

I could try and sell them on Amazon, but most have no resale value and some in fact have been unsucessfully up for sale for six months or so. We could put them in the attic. But there are already mounds of books up there. And in fact Dennis, who has lived here since 1993 still has boxes and boxes of books in his mother's loft in N. Ireland.
Charity.
Oxfam has to be the answer doesn't it? After all how selfish is it to keep stuff I don't need when it can give clean water to toddlers? But which ones to give away?

I feels like each one is so special and if you can give one child away - I mean book - then you can give them all away because how do you distinguish? And I am certainly not giving all of them away. (Selling feels different somehow becuase it funds more book buying)

So for now they sit stacked up until someone can tell me how to do it.

Or until the pile falls over and kills me.

Earlier I decided to take a break from editing the second edition of my Family Law Key Facts book and sneak down to quilt. (Becuase (a) the editing is tedious in the extreme although the fee is not bad and pays fro all my fabric buying (b) the quilting is always tempting and (c) I have embarked on a project to finish several more traditional quilts I started when I first began quilting at the beginning of the year and now have lingering in various stages of near completion so I can start a clean start with some more exciting ones).

I had just finished my first machine applique and was thinking how nicely my Memrory Craft machine stitched when it jammed. The thread kept getting caught around the bobbin race. Panic! The race looks like this:
I could see that the spring under that slilver hammer thing had come loose and a tiny piece of wire was sticking out. After half an hour of fiddling with my seam unripper i did get it back in place but as soon as I sewed with it it came out again. Grrrr! I was trying to come to terms with the grief (in the sense both of inconvenience and a deep sense of loss) of having to package the machine up and send it away under the guarantee for days on end when I found a very nice engineer who turend out to be in the locality and came to rescue me. But in trying to fix the clip he managed to break it completely!

As it turns out it works perfectly well with the clip completely removed and we are not sure that it serves any function other than to regulate the length of the tail left after cutting the thread with the integral cutter. Panic over and I was able to go back to my first commission.... a fleeced back piece out of scraps my cleaner saw lying around for her dog to sleep on! Still, I suppose its all good practice.

Great Northern Quilts Show

Had a great time at the show yesterday. Looking at the quilts on show inspired me to enter some of my own next year. Not that I think I'm in the prizewinning category yet but I enjoyed looking at all of them and without others being prepared to send quilts in I wouldn't have had such a good day, so it seems only right to particpate. Which of course meant I needed to buy fabric for all these entries from the traders! One of which is Ragbags who recycle used and vintage fabrics. I bought a couple of their crazy packs - a total meter of fabric of diferent textures beautifully bundled. They sold them to make this cute little elephant but I have my own ideas for them! The pattern is for sale on their site.Along with lots of FQ's and a series of shades of pinks and purples in dupion silks I bought this book, which is giving me lots of ideas for all the African fabric I can't help but stash and the beautiful but hard to use Japanese garden fabrics Dennis bought me for Christmas. By the way, remember the dress fabric I sketched when we saw the African Children's choir? I found just a half meter of it for sale, so snapped that one up pronto!

Does anyone want to join with me in sponsoring a prize for supportive spouses? Mine wins this weekend I am sure. He gave up his last weekend before going back to school ( he's a teacher) to come with me to Harrogate just so I didn't have to drive home. The plan was for him to have a day out in Harrogate book shops and to watch a match at the rugby club while I did the quilts. However, he was persuaded to come in and join in my excitement ('Just for the first hour - so you know what I am talking about'). But then torrential rain set in and rugby watching was out of the question so the poor man sat in a bad cafe the whole day just waiting and bag watching. And then - when we came home he bought me a gift!! Star or what?

The gift? This gorgeous coffee table book I had coveted at the show and left then regretted leaving.

I did find time for a couple of hour workshops too with Gail Lawther famed for her stained glass technique and a foundation pieced seascape class with Sally Holman. came home full of enthusiasm to finish the quilt I have been working on so I can get onto other projects.... and ran out of thread with about a square quarter of a meter to quilt. Arrgh. Thank God for next day deleiveries from The Tabby Cat that's all I can say.