It should have been so simple. The carpet for the lounge was fitted today and furniture is arriving Thursday and Friday. So last night we decided to watch TV and just before bed to take the old 3 piece suite out to the garage to store it, because Best Quilting Buddy has kindly agreed to assist by getting a van and is coming in a few weeks to take it off my hands. All we had to do was take the furniture through wide double doors into the front end of the hall, through the porch and into the garage next to the porch. The exact route the furniture came in by.
Only, to do the turn between lounge and porch it is actually necessary to take the sofa backwards into the hall straighten it up then come out straight into the porch because the angle between lounge and porch is too acute a turn. No problem. Big double doors make that a breeze. Or it would have been had we not earlier temporarily placed a bookcase full of heavy tomes about Churchillian history and Aboriginal woven baskets right where we now needed the sofa to go. So, we set to and removed all the books to the nearest resting place, which was the stairs, hefted the book case backwards, and swung the sofa into the hall. Now its a straight run out of the door.
Only, will it go it that way? Will it heckers like. ( The TV, which by this time was a good 30 minutes earlier, was the Pete Postethwaite film Brassed Off ,so excuse me if I come over all Yorkshire in this post). After about thirty minutes of huffing and puffing and 'up your end ,no up your end -ing' we concede defeat. The ***** thing is wedged in the porch door frame.
OK. Lets not be Bears of Little Brain. It came in, it will go out. I stand and think. I measure. I mentally tilt it and rotate it. I kick it and tell it to move. Nope. Fine. So the removers are clever little people and we are sadly inept idiots. No problem. There are large patio doors to the rear of the living rooms and a wide side access. We'll just go the long way around. So we push and huff and puff some more and get it unwedged and carry it into the lounge and through the dining room to the patio doors in the sun lounge (Note to BQB: undamaged. Do not worry).
We go outside in the pitch black, because we are waiting for the electrician to fit the oustide light in the side access area and find that we cannot open one of the double gates because the cotton brained previous owner thought it would be a good idea to build a brick base for the rain water butt right in front of one of them. Dennis votes for going to bed and asking the carpet fitters to help. Oh no. I am not going to be defeated now. I am Woman.
I get the wind up torch, two kitchen bowls and start to drain the butt through the tap at the base of the butt into one bowl and scoop from the top wth the other, letting the water run free momentarily free inbetween moving the bowl from under the tap and putting it back, having sloshed it's contents down the drain because Cottton Brain did not build the tap over the drain, did he? Twenty five minutes later and a lot of sloshing of cold rain water later, the butt can be moved.
Now all I have to do is demolish the brick base. For once I am glad about the prevous owner's shoddy workmanship becuase it is easily pulled apart and the gate is opened. Now, we have to carry the furniture all the way around. Only we will need to rest because its now way past midnight and we have weak and tired muscles. But we can't set the furniture down in the said access because its all wet from the sloshing and BQB will not thank me for wet furniture. So I go to get towels to give us little rest points. Only the towels are upstairs and the stairs are now completely covered with books. So we then have to move the bookcase back refill it to get the towels.
We heft and puff some more and - look. All stored. It only took an hour and a half.
And I still can't work out how they got it through the front door. Or indeed in and out of the same sized door at our previous house. As I say. Inept.
A record of an art quilter's life. The site name comes from Natalie Goldberg's phrase 'falling down the well' to describe the experience of becoming immersed in the trance of writing (or other creative activity.)
Wednesday, February 02, 2011
Monday, January 24, 2011
Just over two hours left
Just a final reminder that you have a touch over two hours from the time of this post to get your final bid in for my Woomba Woomba quilt. I close at 12 midnight Australian time.
Bid by leaving a comment here
Saturday, January 22, 2011
Interactive House - Help needed
Who would like to help me decorate my house?
By which I mean, who would like to help me decide which walls to put which paints on so that a man can come and do the actual work?
If you want to play you might like first of get hold of the relevant paint chart. I know colours will look different on each screen ( they are vastly different between my home and work laptops and different again when I painted with tester pots) but at least you will get the idea of how one paint relates to the other.
Then here are the rooms. In the photo above I am standing my pation doors in teh 'sun lounge' looking into the dining roon and to the doors leading to the lounge.
This one looks the otherway
And this one looks slightly sideways so you can see how the kitchen flows off the dining room
Also, over the sofa which is temporarily plonked in the sun room there is a large window.
So, we are more of less picked for paints.I am still debating a couple of close choices between brands but for your purposes and advice you need only consider Four Farrow and Ball Paints from the above chart : Green Blue, Lichen , Pavillion Grey and Ringwold Ground. On my screen the latter looks very pink but it is not in real life - it is creamy.
The idea is to make the lounge, dining and sun lounge work as three distinct rooms but also to make them all flow together if the room is opened out.
We have chosen to use the Green Blue on all the lounge walls save for two big alcoves by the chinmey breast which will be Pavillion Grey. We have chosen a plain teal fabric for curtsians and an off white and silver blue suite and light grey carpet. The kitchen will either be in lichen or another brand similar but very slightly lighter. It is cream with black tiles.
So my question is - which of the following three options for the sun/ dining rooms would you choose:
(a) paint the dark colurs on the arches and the light on the long walls. (I.e Green blue on the wall leading dining room to sun room then lichen on the arch and pation door wall, ringwold everywhere esle
or
(b) reverse that ( i.e) paint the arch, the diningroom to lounge door wall and pation door wall and the wall with the window and adjoining the kitchen ringwold and the two long solid walls (in the top photo the one with the brush propped up against it and the one next to it with the paint samples on) Lichen.
or
(c) none of the above - please specify.
In terms of furniture, it is all an ash that looks very much like light oak and there will be a sideboard on the dining room long wall and a sofa and lamp table on the sun lounge long wall. under the window lamp table and two swivel chairs, nothing on the wall by the kitchen, and on the left of the door going to the lounge a tall display china cabinet.
Opinions quick please- I have to choose at 8.30 on Monday morning.
By which I mean, who would like to help me decide which walls to put which paints on so that a man can come and do the actual work?
If you want to play you might like first of get hold of the relevant paint chart. I know colours will look different on each screen ( they are vastly different between my home and work laptops and different again when I painted with tester pots) but at least you will get the idea of how one paint relates to the other.
Then here are the rooms. In the photo above I am standing my pation doors in teh 'sun lounge' looking into the dining roon and to the doors leading to the lounge.
This one looks the otherway
And this one looks slightly sideways so you can see how the kitchen flows off the dining room
Also, over the sofa which is temporarily plonked in the sun room there is a large window.
So, we are more of less picked for paints.I am still debating a couple of close choices between brands but for your purposes and advice you need only consider Four Farrow and Ball Paints from the above chart : Green Blue, Lichen , Pavillion Grey and Ringwold Ground. On my screen the latter looks very pink but it is not in real life - it is creamy.
The idea is to make the lounge, dining and sun lounge work as three distinct rooms but also to make them all flow together if the room is opened out.
We have chosen to use the Green Blue on all the lounge walls save for two big alcoves by the chinmey breast which will be Pavillion Grey. We have chosen a plain teal fabric for curtsians and an off white and silver blue suite and light grey carpet. The kitchen will either be in lichen or another brand similar but very slightly lighter. It is cream with black tiles.
So my question is - which of the following three options for the sun/ dining rooms would you choose:
(a) paint the dark colurs on the arches and the light on the long walls. (I.e Green blue on the wall leading dining room to sun room then lichen on the arch and pation door wall, ringwold everywhere esle
or
(b) reverse that ( i.e) paint the arch, the diningroom to lounge door wall and pation door wall and the wall with the window and adjoining the kitchen ringwold and the two long solid walls (in the top photo the one with the brush propped up against it and the one next to it with the paint samples on) Lichen.
or
(c) none of the above - please specify.
In terms of furniture, it is all an ash that looks very much like light oak and there will be a sideboard on the dining room long wall and a sofa and lamp table on the sun lounge long wall. under the window lamp table and two swivel chairs, nothing on the wall by the kitchen, and on the left of the door going to the lounge a tall display china cabinet.
Opinions quick please- I have to choose at 8.30 on Monday morning.
Thursday, January 20, 2011
New Year Goals (or Oh How Life has Changed)- Part Two
This post follows on from New Year Goals (or Oh How Life has Changed)- Part Two. which you may want to read first.
As I said in that post, I was intrigued by Lisa Call's habit of choosing two words to represent her focus for the year. I didn't think I was going to copy her thing but, in my Zen reflection days ( I told you - you need to read the last post if you don't know what I am talking about,) I found two words rising to the fore: nesting and preparation.
Unless you have stumbled on this blog from nowhere just today you will know that I currently live on a building site. In my head it looks like Buckingham Palace only with less Louis XIV bling. But to outsiders? A big pile of dust and workmens tools. Getting it to an abode more fit for the spoiled Princess I am involves shopping ( no hardship but time consuming) and actually making the lap, bed and wall quilts we want to have on the walls. So given I work full time it is unlikely that I am going to both make the shortlist for House Beautiful and say, fully stock an Etsy shop, enter one quilt no older than 12 months in every category at Festival of Quilts in one year, write an quilting article a month, make a quilt based on each room in the Blackburn museum and have them exhibited in the museum, enter quilts in European and US shows attand two residential retreats the other side of the world, and and start to teach. All of which I would sort of like to do. (And yes, in regard to Festival , I know that is a crazy idea. But wouldn't it feel like a real achievement?!)
Hence the nesting. There are I think, a minimum of 24 places in the house for which I would like to create a sewn item ( ranging from bed quilts through wall quilts to coffee table runners). Now do you see why entering every category at Festival sounds achievable? Of course I could fling together some log cabins and the like and I could do all that fairly quickly. But I don't want ('I don't WANT said the Princess, stomping her feet') to spoil my beautiful new house by slapping fabric down and calling it art. Or even slapping fabric down and calling it a liberated log cabin. I want to make stuff that gives me satisfaction so I feel it is enough of an achievement and good enough quality for me to want to live with it. Although, I like liberated log cabins and they relax me to make them so there might be some of that whilst I cogitate on my next Great Work of Art. Ok. My First Great Work of Art.
Which is kind of how the Preparation part links in. For so long as I have to spend a good time of myweekend precious quilting time choosing taps and admiring the tile grouting, I am not going to be producing as much as I will when my new, shiny, fit-for-a-Princess studio is ready. And what time I have should go mostly to 'nesting quilts'. But I will not be able to keep myself from other exciting possibilties. And why should I? After all I do this for fun, not to challenge Bobby Sands in the self-denial stakes. So this year is also about preparation for when I have time to do more. I have visions of quilts in my head that I know I do not yet have the skills to actually produce. So I choose to start to learn them now. I choose spend time on small projects in preparation of making larger ones later. I shall start to record ideas and sketches to come back to later. I shall set myself up to get better.
In my last post I talked about making choices not goals and about preserving the feelling of balance and relaxation I have finally achieved in life in general. So I give myself permission to choose to change all of what I am telling you as and when I feel like it.
But my starting choices for 2011 are:
* to make house quilts that have meaning to me
* to write up those which are suitable for a magazine pattern/ article
* to make a series of quilt kit patterns as commissioned by Magie Relph
* to continue to participate in the Twelve by Twelve group
* to join in the Journal Quilt Challenge for the UK Quilters Guild Contemporary Quilt Group
* to use the last two as ways to develop new technical knowledge and to breakaway from opting for the easy quick and mediocre and to head towards deeper more meaningful ( to me at least) work
* to keep a sketchbook and basic art kit at work and try to get a few lunchtimes in at the museum for future quilt preparation
* to buy as many quilt books as I like. Its not frivolity. Its education and preparation.
* to keep ( a la Lisa Call - I swear she is not paying me!) I records of the time I spend on tasks to better inform me of what is achievable and what prevents me from achieving what I set out to
* to finish a quilt I started in Lisa Walton's crystalisation class last August and enter it at the Utoxeter Quilt show in April
* to make one quilt to enter at Festival of Quilts (not counting the fact that out Twelve by Twelve quilts will all be there this year)
* do a little dying and screen printing even if I have to wait until summer and do it outside because my wet studio will not exist for a good while yet.
I might choose to actualy keep my website a little more up to date and to go back to the By Design articles I started. But I am not sure about that one yet. Feels suspiciously like work :)
Oh and right now? I choose to sign off and go to bed with a book.
As I said in that post, I was intrigued by Lisa Call's habit of choosing two words to represent her focus for the year. I didn't think I was going to copy her thing but, in my Zen reflection days ( I told you - you need to read the last post if you don't know what I am talking about,) I found two words rising to the fore: nesting and preparation.
Unless you have stumbled on this blog from nowhere just today you will know that I currently live on a building site. In my head it looks like Buckingham Palace only with less Louis XIV bling. But to outsiders? A big pile of dust and workmens tools. Getting it to an abode more fit for the spoiled Princess I am involves shopping ( no hardship but time consuming) and actually making the lap, bed and wall quilts we want to have on the walls. So given I work full time it is unlikely that I am going to both make the shortlist for House Beautiful and say, fully stock an Etsy shop, enter one quilt no older than 12 months in every category at Festival of Quilts in one year, write an quilting article a month, make a quilt based on each room in the Blackburn museum and have them exhibited in the museum, enter quilts in European and US shows attand two residential retreats the other side of the world, and and start to teach. All of which I would sort of like to do. (And yes, in regard to Festival , I know that is a crazy idea. But wouldn't it feel like a real achievement?!)
Hence the nesting. There are I think, a minimum of 24 places in the house for which I would like to create a sewn item ( ranging from bed quilts through wall quilts to coffee table runners). Now do you see why entering every category at Festival sounds achievable? Of course I could fling together some log cabins and the like and I could do all that fairly quickly. But I don't want ('I don't WANT said the Princess, stomping her feet') to spoil my beautiful new house by slapping fabric down and calling it art. Or even slapping fabric down and calling it a liberated log cabin. I want to make stuff that gives me satisfaction so I feel it is enough of an achievement and good enough quality for me to want to live with it. Although, I like liberated log cabins and they relax me to make them so there might be some of that whilst I cogitate on my next Great Work of Art. Ok. My First Great Work of Art.
Which is kind of how the Preparation part links in. For so long as I have to spend a good time of my
In my last post I talked about making choices not goals and about preserving the feelling of balance and relaxation I have finally achieved in life in general. So I give myself permission to choose to change all of what I am telling you as and when I feel like it.
But my starting choices for 2011 are:
* to make house quilts that have meaning to me
* to write up those which are suitable for a magazine pattern/ article
* to make a series of quilt kit patterns as commissioned by Magie Relph
* to continue to participate in the Twelve by Twelve group
* to join in the Journal Quilt Challenge for the UK Quilters Guild Contemporary Quilt Group
* to use the last two as ways to develop new technical knowledge and to breakaway from opting for the easy quick and mediocre and to head towards deeper more meaningful ( to me at least) work
* to keep a sketchbook and basic art kit at work and try to get a few lunchtimes in at the museum for future quilt preparation
* to buy as many quilt books as I like. Its not frivolity. Its education and preparation.
* to keep ( a la Lisa Call - I swear she is not paying me!) I records of the time I spend on tasks to better inform me of what is achievable and what prevents me from achieving what I set out to
* to finish a quilt I started in Lisa Walton's crystalisation class last August and enter it at the Utoxeter Quilt show in April
* to make one quilt to enter at Festival of Quilts (not counting the fact that out Twelve by Twelve quilts will all be there this year)
* do a little dying and screen printing even if I have to wait until summer and do it outside because my wet studio will not exist for a good while yet.
I might choose to actualy keep my website a little more up to date and to go back to the By Design articles I started. But I am not sure about that one yet. Feels suspiciously like work :)
Oh and right now? I choose to sign off and go to bed with a book.
Wednesday, January 19, 2011
New Year Goals (or Oh How Life has Changed)- Part One
I have been using keeping my Queensland Flood Quilt Auction at the top of my blog as an excuse for not posting recently. But really it was because I wanted to do a New Years post and got stuck in a debate in my head : ( put the kettle on at this point- you might need it).
To go out of order, part of the debate ended up being did I want to post my nineteen days worth of musings for the world to read at all? Not that they are particularly secret or personal but because I fear thaye are boring. But I decided I did want to, because I have gained so much inspiration from other people's musings I thought there was the odd chance that it would help someone else. And hey, if I am boring you, go do something better. No offense taken I promise you. As long as you come back another day to see if I am being more interesting.
I have long had a New Years habit of getting out my journals from previous years and looking at my New Years entries to give me a sense of what I was concerned about then, how life has changed, what I wanted to achieve and what I actually have achieved. I then write a new journal entry for the next year. This included personal goals and tasks but also lots of professional ones. Indeed, back when I was a self-employed barrister life was all about goals and self-set targets. It was up to me to find much of my lecturing and writing work and my executive looking leather filofax bulged with plans, targets and to do lists. I needed a system to keep track of multiple clients, deadlines, up to four different sets of travel bookings a week, tax and VAT records and personal tasks. I have to say, I was pretty efficient at it.
And pretty done in by it.
If you look at my journals for 2005 - which of course I am not going to actually let you do :) - it is all desperate scribbles about finding balance and debating whether financially I could afford to only take bookings four days a week and keep one for admin. Eventually I did this and, whilst the filofax stayed the same, the journals became less frantic. With the caveat of keeping balance then, I'd say that the lifeplanning standard advice to set short and longterm life goals and keep then under review probably played a very large part in me being where I am now in my professional life and a vital part in my never finding myself in Cardiff when I should be in Leeds. ( I am aware that any lifestyle in which that is real and ever present danger is probably not all that normal).
Then, in November 2009 I left work, set off to travel the world for three months, took another month off at home and started an employed job. The job itself is demanding but in an entirely different way. My work lists are presented to me. I have hardly any tax records to do. My travel arrangements now consist not of booking multiple trains, flights and hotels a week, but of remembering to fill the car with petrol now and again.(And thats not hard because the sweets I keep in the armrest usually need replenishing at about the same time). The filofax was replaced by a hardly used diary with pictures of Aboriginal art for 2010 which so far has not been replaced at all. So lots more time for quilting, making setting art making goals easy. One would think.....
In fact, when I looked for last years Goals, there were none. There was a vague New Years entry in my travel journals but none of the life planning of prevous years. There was a picture of the secluded beach in Tasmania where I stood on the sand on New Years Day and realised that for the first time in many many months it was not going to matter today if I dropped a ball because there were none I had to keep in the air that day. So I kind of had a clean start to start again setting different kinds of goals and plans. I feel no compulsion or need to do that at all for my professional life this year but I do see my 'arriving' in that area as the opportunity to fully develop my artistic life.
In December I discovered Lisa Call's various posts on goals and the debates between not setting goals at all, and the merits of having targets and aims. (She started with the latter, flirted with the former and reverted to the original goal setting.) I was particularly interested in how she chose words for each year to live by. So, on New Years Day I pulled out my pile of journals, put on the Viennese concert and start to write. Or started to think about writing becuase suddenly - not so interested in goals. Did I need them? Was this the stage in my life where finally I could cast all that off and just be?
I decided to just live with that debate for a few days and see what feelings arose. (How very Zen of me!). I noticed that I felt resentful if I thought about scheduling tasks in the studio but quite interested if I thought about words such as 'focus' and 'choices'. I felt very reluctant to make to-do lists (which then created a kind of self-set obligation) or 'goals' which seemed to set up the pressure not to fail. But I felt rather lost without any plan. I like not being stressed. I like having time to relax. I like beeing free to potter. I don't like aimlessness and lack of direction.
So this year I am not making Resolutions. I am not setting goals or targets. But I am going to make some good choices. Choices that are about filtering out what I do not have time to do despite me really liking the idea of them. Choices that keep me relaxed and chilled but also enthused and enriched. I am going to focus on studio tasks that givem me real not part statisfaction.
And what are those choices you ask?
Ah, well, I shall tell you, but I think that's for another post don't you?
To go out of order, part of the debate ended up being did I want to post my nineteen days worth of musings for the world to read at all? Not that they are particularly secret or personal but because I fear thaye are boring. But I decided I did want to, because I have gained so much inspiration from other people's musings I thought there was the odd chance that it would help someone else. And hey, if I am boring you, go do something better. No offense taken I promise you. As long as you come back another day to see if I am being more interesting.
I have long had a New Years habit of getting out my journals from previous years and looking at my New Years entries to give me a sense of what I was concerned about then, how life has changed, what I wanted to achieve and what I actually have achieved. I then write a new journal entry for the next year. This included personal goals and tasks but also lots of professional ones. Indeed, back when I was a self-employed barrister life was all about goals and self-set targets. It was up to me to find much of my lecturing and writing work and my executive looking leather filofax bulged with plans, targets and to do lists. I needed a system to keep track of multiple clients, deadlines, up to four different sets of travel bookings a week, tax and VAT records and personal tasks. I have to say, I was pretty efficient at it.
And pretty done in by it.
If you look at my journals for 2005 - which of course I am not going to actually let you do :) - it is all desperate scribbles about finding balance and debating whether financially I could afford to only take bookings four days a week and keep one for admin. Eventually I did this and, whilst the filofax stayed the same, the journals became less frantic. With the caveat of keeping balance then, I'd say that the lifeplanning standard advice to set short and longterm life goals and keep then under review probably played a very large part in me being where I am now in my professional life and a vital part in my never finding myself in Cardiff when I should be in Leeds. ( I am aware that any lifestyle in which that is real and ever present danger is probably not all that normal).
Then, in November 2009 I left work, set off to travel the world for three months, took another month off at home and started an employed job. The job itself is demanding but in an entirely different way. My work lists are presented to me. I have hardly any tax records to do. My travel arrangements now consist not of booking multiple trains, flights and hotels a week, but of remembering to fill the car with petrol now and again.(And thats not hard because the sweets I keep in the armrest usually need replenishing at about the same time). The filofax was replaced by a hardly used diary with pictures of Aboriginal art for 2010 which so far has not been replaced at all. So lots more time for quilting, making setting art making goals easy. One would think.....
In fact, when I looked for last years Goals, there were none. There was a vague New Years entry in my travel journals but none of the life planning of prevous years. There was a picture of the secluded beach in Tasmania where I stood on the sand on New Years Day and realised that for the first time in many many months it was not going to matter today if I dropped a ball because there were none I had to keep in the air that day. So I kind of had a clean start to start again setting different kinds of goals and plans. I feel no compulsion or need to do that at all for my professional life this year but I do see my 'arriving' in that area as the opportunity to fully develop my artistic life.
In December I discovered Lisa Call's various posts on goals and the debates between not setting goals at all, and the merits of having targets and aims. (She started with the latter, flirted with the former and reverted to the original goal setting.) I was particularly interested in how she chose words for each year to live by. So, on New Years Day I pulled out my pile of journals, put on the Viennese concert and start to write. Or started to think about writing becuase suddenly - not so interested in goals. Did I need them? Was this the stage in my life where finally I could cast all that off and just be?
I decided to just live with that debate for a few days and see what feelings arose. (How very Zen of me!). I noticed that I felt resentful if I thought about scheduling tasks in the studio but quite interested if I thought about words such as 'focus' and 'choices'. I felt very reluctant to make to-do lists (which then created a kind of self-set obligation) or 'goals' which seemed to set up the pressure not to fail. But I felt rather lost without any plan. I like not being stressed. I like having time to relax. I like beeing free to potter. I don't like aimlessness and lack of direction.
So this year I am not making Resolutions. I am not setting goals or targets. But I am going to make some good choices. Choices that are about filtering out what I do not have time to do despite me really liking the idea of them. Choices that keep me relaxed and chilled but also enthused and enriched. I am going to focus on studio tasks that givem me real not part statisfaction.
And what are those choices you ask?
Ah, well, I shall tell you, but I think that's for another post don't you?
Circling back
Herewith * the first completed quilt of 2011. Which would be an achievement had the fabric not been bought in the last month of 2009 with a view to immediate use on my return from Australia! I am not all that good with quilt names but (unless you all have better ideas) am contemplating Circling Back for all the memories of quilt shops Down Under it invokes. This is the front.
And this is the second completed quilt of 2011. A seventeen inch shack quilt which may well bcome a kit in a series of little shacks. I am not sure now about the roof. It is a Shaman (medicine man)'s shack.
I know I have been blog deficient lately so I have some longer more thoughtful posts lined up. In my head that is, not actually posted, but it is ia start!
Finally, Don't forget to visit my Quilt Auction in aid of the Queensland Floods and snag yourself another Aboriginal inspired quilt.
* Herewith is a good word don't you think? Along with aforesaid, thereunto and hitherto mentioned. Do I sound like a lawyer?!
Thursday, January 13, 2011
Woomba Woomba

Even with my house in a hopeless state of 'destroy to rennovate' disprepair, I cannot help but realise how much better off we are than the people whose homes hae been flooded in Quuensland. Accordingly I am particpating in the Queensland Flood Appeal auctions to raise money for the relief effort.
This quilt - now named Woomba Woomba (that being one of the names thought to be the original Aboriginal name for Toowoomba, one of the areas so badly affected and meaning Reeds in the Marsh) is for auction. It measures 31 1/2 inches by 49 12 inches and features both machine quilting and hand embroidery together with Aboriginal designed fabrics. It h as a 4 1/2 inch hanging sleeve

(As ths photo was taken in artificial light in a hurry this morning,the colours are more truly represented by the detailed shots) I will ttry to get a better photo up soon.
This is how it all works.
1. Bidding starts at $75 Australian
2. Place your bid by adding a comment here stating how much you are willing to offer to own Woomba Woomba.. Your bid must be greater than the previous bid.
3. All bids must be in whole dollar increments.
4. The auction is open to all and the price will include postage to any address worldwide.(Although I reserve the right to send by surface to a non-european address depnding on the cost).
5. The auction is now open and closes at midnight on the 24th of January 2011 (Sydney, Australian time).
6. I will contact the winner at the conclusion of the auction. The winner must commit to sending their bid to the Premier’s Flood Relief Appeal and provide an email receipt as evidence of payment. Non-austrailan donors can still donate by credit card using the online payment link or there is also information about how to do an international bank transfer.
7. Once I have evidence of payment Woomba Woomba will be posted to its new owner.
My thanks to Toni Coward for organising this and Brenda Gael Smith for drawing my attention to it with her quilt auction.
Friday, December 24, 2010
Icicles
Dennis took some great pictures of the icicles hanging off our guttering by the bedroom window. I thought he had done it merely to show me the icicles because it was dark when I got home. But no - he did it because he thought the lines were interesting for quilting purposes. Got to love that man!
Thursday, December 23, 2010
Virtual Christmas presents for you all
I can't buy you all a real present but I have been shopping to give you a choice of virtual presents that I would love to buy for you and myself as well! They are all under the tree - pick what you like best!
I am sure I will not be the only one to be fascinated by the really interesting baskets forms here by Joe Hogan
If you need wall art and share my love of African items you too will covet a framed print of these fabulous photos from a trip to Mali here or one of these fabulous portrait shots by Laurent Rappa - this one is my favourite - I think you will see why!
If Africa is not your thing, the food or still life photos of stylist Nan Witney would look great in a kitchen.
Or maybe you prefer patchwork on your wall? Or embroidery on paper from the Missouri Bend Studio?
Maybe you prefer ceramics? Try these Beautiful bowls with marks to inspire stitch by Lidia Serra
These ceramics by Catherine Brennan remind me of the ceramics by Pollie and Garry Utley in that they both appear to have textiles imprinted into the clay.
Or for something in a different media how about an altered book by Raymond Papka?
Maybe you have been shopping too and need a bright bag by Yda Walt - I love her street scenes too: a very fresh approach to an old subject.
I found all these things simply by stumbling on a blog by South African artist Robyn Gordon and reading back a few posts and folliwng a few links. I shall be reading more of her blog that is for sure! And maybe in the future funding a space for one of her carvings.
I am sure I will not be the only one to be fascinated by the really interesting baskets forms here by Joe Hogan
If you need wall art and share my love of African items you too will covet a framed print of these fabulous photos from a trip to Mali here or one of these fabulous portrait shots by Laurent Rappa - this one is my favourite - I think you will see why!
If Africa is not your thing, the food or still life photos of stylist Nan Witney would look great in a kitchen.
Or maybe you prefer patchwork on your wall? Or embroidery on paper from the Missouri Bend Studio?
Maybe you prefer ceramics? Try these Beautiful bowls with marks to inspire stitch by Lidia Serra
These ceramics by Catherine Brennan remind me of the ceramics by Pollie and Garry Utley in that they both appear to have textiles imprinted into the clay.
Or for something in a different media how about an altered book by Raymond Papka?
Maybe you have been shopping too and need a bright bag by Yda Walt - I love her street scenes too: a very fresh approach to an old subject.
I found all these things simply by stumbling on a blog by South African artist Robyn Gordon and reading back a few posts and folliwng a few links. I shall be reading more of her blog that is for sure! And maybe in the future funding a space for one of her carvings.
Monday, December 20, 2010
Girl maths 3
Daine wanted to know my response to Terry's question in her comment on my Girl maths posts. Basically - how does Girl Maths help her get an affordable ipad?
This is the response I emailed direct to Terry:
"Ok it works like this:
"Ipads here cost £429.
"Running across the road is free. But if you run across the road you might get hit by a car. In fact you surely will if you choose a freeway. Which will result in serious injuries and will cost you a small fortune in your mysterious USA insurance co-payments and medication obtained by stealth from Canada.
"So I advise you not to run out into a freeway and you thus save enough to buy an ipad.
"Simple.
"If you need extra money to buy kindle books for it advise all the people who would have brought you flowers in the hospital that they should buy amazon gift vouchers instead. But only for half the cost since it is nice to share."
This is the response I emailed direct to Terry:
"Ok it works like this:
"Ipads here cost £429.
"Running across the road is free. But if you run across the road you might get hit by a car. In fact you surely will if you choose a freeway. Which will result in serious injuries and will cost you a small fortune in your mysterious USA insurance co-payments and medication obtained by stealth from Canada.
"So I advise you not to run out into a freeway and you thus save enough to buy an ipad.
"Simple.
"If you need extra money to buy kindle books for it advise all the people who would have brought you flowers in the hospital that they should buy amazon gift vouchers instead. But only for half the cost since it is nice to share."
Cabin fever quilt
Last Wednesday I set off of work, hit black ice and crashed Dennis car ( mine was already in the garage). the car required a new wheel and tire. I missed a cyclist by inches. (No I have no idea what he was doing on a bike in that weather either.) I ended up shaken and wrenched my shoulder and back a little with referred aching into my elbow. But no major injuries. I had a couple of days at home, went in on Friday to find all my colleagues were also off with various ailments and the staff had cancelled almost all of the appointments. So I got a slightly early finish and got home just as the snow was starting.
Overnight 8 inches of snow fell. Essential travel only was the official advice. Well, I had a hair appointment and I graded that as essential so Dennis drive me and it was grim then. Not a wise journey. Then the snow froze and we have ice over the roads. My sister spent the whole weekend at the hospital (she is a nurse) because she came off nights on Saturday morning to find she could not get home. An on foot inspection of local roads this morning, the discovery that the grit bin at the top of the estate is empty and the fact that not one of the local taxi firms were running pretty much ruled out getting to work by either car or train.
So, a snow day. It started thus:
I dressed and made fresh blueberry muffins for breakfast and washed up. I made two calls to work to sort the schedules out. I took a call from the builder to say he could not come and so I then put all the furniture in the lounge back where it belonged and took the dust sheets off. I made two onion and rosemary foccacia and washed up.
I received two phone calls from work to deal with specific cases. I made red lentil and chickpea soup and washed up. I marinated the fish for todays tea and - yes you got it- I washed that stuff up too. I looked at the clock. It was only 10.25. Really - what do stay at home childless wives do all day??? Dennis had to stop me baking because we haven't eaten the mocha cake, Christmas cookies and loaf of bread I made yesterday yet. And, I may have mentioned this once or twice, but I don't even have a sewing machine to make the most of this time!
So I was pretty, much pacing the house fired with guilt at being (more or less)healthy but home and with unresolved creativity, when one of my colleagues rang to say that he was only at work because he happens to live right on a gritted bus route, that many other people were not getting in and that he would really rather I didn't even try.He had taken an executive decision that things were not going to get better by tomorrow and he had cancelled my work for then too. Just then a very sturdily shod and somewhat blue looking postman slid down the drive bearing not just Fibre Arts but Studios magazine. Suddenly I felt so much better - permission and reading matter!
Of course I didn't ger very far reading before the inspiration and need to create took over. I cannot machine sew my existing projects but I can fuse ready for when my new machine arrives as and when the van can get here. Then I thought I could maybe hand blanket stitch. And hang it - I might as well hand piece. Which is how this little quilt top came to be almost, but obviously not quite, finished. The red shape is the Adinkire symbol for creativity. I know its not exactly high art but I thought it would be something to stick up on my temporary studio wall. And it will - as all tops do - look better finished and embellished. It is about 26 x 24 inches.
It is only after I emerged from 'down the well' that I realised I had sewed so much my shoulder was bad again. But I still had fun.
Overnight 8 inches of snow fell. Essential travel only was the official advice. Well, I had a hair appointment and I graded that as essential so Dennis drive me and it was grim then. Not a wise journey. Then the snow froze and we have ice over the roads. My sister spent the whole weekend at the hospital (she is a nurse) because she came off nights on Saturday morning to find she could not get home. An on foot inspection of local roads this morning, the discovery that the grit bin at the top of the estate is empty and the fact that not one of the local taxi firms were running pretty much ruled out getting to work by either car or train.
So, a snow day. It started thus:
I dressed and made fresh blueberry muffins for breakfast and washed up. I made two calls to work to sort the schedules out. I took a call from the builder to say he could not come and so I then put all the furniture in the lounge back where it belonged and took the dust sheets off. I made two onion and rosemary foccacia and washed up.
I received two phone calls from work to deal with specific cases. I made red lentil and chickpea soup and washed up. I marinated the fish for todays tea and - yes you got it- I washed that stuff up too. I looked at the clock. It was only 10.25. Really - what do stay at home childless wives do all day??? Dennis had to stop me baking because we haven't eaten the mocha cake, Christmas cookies and loaf of bread I made yesterday yet. And, I may have mentioned this once or twice, but I don't even have a sewing machine to make the most of this time!
So I was pretty, much pacing the house fired with guilt at being (more or less)healthy but home and with unresolved creativity, when one of my colleagues rang to say that he was only at work because he happens to live right on a gritted bus route, that many other people were not getting in and that he would really rather I didn't even try.He had taken an executive decision that things were not going to get better by tomorrow and he had cancelled my work for then too. Just then a very sturdily shod and somewhat blue looking postman slid down the drive bearing not just Fibre Arts but Studios magazine. Suddenly I felt so much better - permission and reading matter!
Of course I didn't ger very far reading before the inspiration and need to create took over. I cannot machine sew my existing projects but I can fuse ready for when my new machine arrives as and when the van can get here. Then I thought I could maybe hand blanket stitch. And hang it - I might as well hand piece. Which is how this little quilt top came to be almost, but obviously not quite, finished. The red shape is the Adinkire symbol for creativity. I know its not exactly high art but I thought it would be something to stick up on my temporary studio wall. And it will - as all tops do - look better finished and embellished. It is about 26 x 24 inches.
It is only after I emerged from 'down the well' that I realised I had sewed so much my shoulder was bad again. But I still had fun.
Sunday, December 19, 2010
Girl maths Part 2
This post will make no sense until you read Girl Maths Part One but for those of you who have, could I just apologise - I have made some basic errors in my previous calculations.
Dennis says I can 'magic money'. Since I posted I started to wrap Christmas presents and realised that I had, in error, ordered two of an item from Amazon. The money I get back when I return it less postage? £11.28. So now I am only pence short. And that was when I suddenly realised.
I made a very, very small income from quilting this year. Tiny. But still taxable as self -employed income. Which means I can tax deduct the machine as a cost of my business and set the cost off against not only my quilting income but my other taxable income, which reduces the cost by £199. Before its starts paying for itself.
Oh and I have now found a shop selling it for the same price but with a special offer kit with free feet and extension table (which I always use on my existing machine). £99 worth of stuff for free. And free next day delivery still guaranteed to my area despite weather.
And I paid with my cash back credit card which gives me 1% of the price back.
Forget the coalition. Vote me for Prime Minister. I'll get rid of the deficit in no time.
Dennis says I can 'magic money'. Since I posted I started to wrap Christmas presents and realised that I had, in error, ordered two of an item from Amazon. The money I get back when I return it less postage? £11.28. So now I am only pence short. And that was when I suddenly realised.
I made a very, very small income from quilting this year. Tiny. But still taxable as self -employed income. Which means I can tax deduct the machine as a cost of my business and set the cost off against not only my quilting income but my other taxable income, which reduces the cost by £199. Before its starts paying for itself.
Oh and I have now found a shop selling it for the same price but with a special offer kit with free feet and extension table (which I always use on my existing machine). £99 worth of stuff for free. And free next day delivery still guaranteed to my area despite weather.
And I paid with my cash back credit card which gives me 1% of the price back.
Forget the coalition. Vote me for Prime Minister. I'll get rid of the deficit in no time.
Girl maths
Have you noticed that one of the nice things about quilters is that they are all enablers.
Never once have I heard a quilter say anything like:
'I don't think you need anymore fabric'.
Oh wait. No thats not true. Actually I have heard that. But it was always followed seamlessly by 'But you have to get that anyway because it is so beautiful/cheap/perfect/in existence.'
So, I suppose I knew full well what you would say when I asked about buying a new spare machine in my last post. I kind of knew what my husband would say too although the thing with Dennis is that although I know what he is trying to get at, I never quite know how he is going to get at it.
After spending an hour or so with pen and paper making charts about what features were different on a range of machines roughly in the right price range, I had narrowed it down to two choices. The Janome DXL 603 for £369 or the Janome QXL 605 which is exactly the same machine only it has an automatic thread cutter and costs £499. I sit Dennis down. I show him the list of features and explain which ones are important to me. I am mid way through when he says ( and I am not making this up),
"Awhh!" in that way you do when you see something you feel terribly sorry for.
"What?"
"A dog with seven feet. Awwh!"
"Huh?"
"Oh no. I read it wrong. A seven point feed dog. Is that different?"
We get over that and I explain how I am asking him to help me make one simple decsion - do I spend £130 on an automatic thread cutter?
Simple in my head anyway. Eventually he manages to explain the cause of his confusion. Neither of the machines I am showing him are labelled £130. So what I'm really asking is whether I should spend nigh on £500 but somehow the question he has to approve is only about £130?
Oh yes. Girl maths in action.
And I can do Advanced Girl Maths too.
If I take the post tax profits (all sitting waiting in my account for a good purpose) from
(a) the quilt I sold
(b) the second Lark advance for our Twelve by Twelve book
(c) my profits from kits for the African Fabric Shop for the last quarter
I am £11.41 short.
So, if Dennis gives me that just because he loves me and to stop me making him sit and look at pictures of identical machines, the machine does not really cost me cash so much as I bartered for it by doing things I need a machine for and therefore the machine is self funding, and therefore free, no?
And if you want to go onto Degree Level Girl Maths, if I have a machine I can complete the quilt which I intend to sell as a magazine pattern which means that the machine is actually not free but comes with a cash back.
I do believe that Christmas is a time for miracles.
Never once have I heard a quilter say anything like:
'I don't think you need anymore fabric'.
Oh wait. No thats not true. Actually I have heard that. But it was always followed seamlessly by 'But you have to get that anyway because it is so beautiful/cheap/perfect/in existence.'
So, I suppose I knew full well what you would say when I asked about buying a new spare machine in my last post. I kind of knew what my husband would say too although the thing with Dennis is that although I know what he is trying to get at, I never quite know how he is going to get at it.
After spending an hour or so with pen and paper making charts about what features were different on a range of machines roughly in the right price range, I had narrowed it down to two choices. The Janome DXL 603 for £369 or the Janome QXL 605 which is exactly the same machine only it has an automatic thread cutter and costs £499. I sit Dennis down. I show him the list of features and explain which ones are important to me. I am mid way through when he says ( and I am not making this up),
"Awhh!" in that way you do when you see something you feel terribly sorry for.
"What?"
"A dog with seven feet. Awwh!"
"Huh?"
"Oh no. I read it wrong. A seven point feed dog. Is that different?"
We get over that and I explain how I am asking him to help me make one simple decsion - do I spend £130 on an automatic thread cutter?
Simple in my head anyway. Eventually he manages to explain the cause of his confusion. Neither of the machines I am showing him are labelled £130. So what I'm really asking is whether I should spend nigh on £500 but somehow the question he has to approve is only about £130?
Oh yes. Girl maths in action.
And I can do Advanced Girl Maths too.
If I take the post tax profits (all sitting waiting in my account for a good purpose) from
(a) the quilt I sold
(b) the second Lark advance for our Twelve by Twelve book
(c) my profits from kits for the African Fabric Shop for the last quarter
I am £11.41 short.
So, if Dennis gives me that just because he loves me and to stop me making him sit and look at pictures of identical machines, the machine does not really cost me cash so much as I bartered for it by doing things I need a machine for and therefore the machine is self funding, and therefore free, no?
And if you want to go onto Degree Level Girl Maths, if I have a machine I can complete the quilt which I intend to sell as a magazine pattern which means that the machine is actually not free but comes with a cash back.
I do believe that Christmas is a time for miracles.
Saturday, December 18, 2010
Help! Emergency!
I set aside the whole of this weekend for working on my Aboriginal fabric quilt and my Twelve by Twelve quilt and look! Kaput sewing machine.
Help me!
Originaly it said itwas an E1 error and the service man (who came out to the house very quickly) rang someone in London who said they thought E1 went a small fuse had blown. An easy fix. But he came and it was not that. And when I got home to the bad news it was showing an E3 error. The Service man is awaiting someone helpful from Janome to ring him.
I decided to give the Janome centre near where I live a call as well. They do not know what an E1 error is either. As the manual tells you to ring the service centre in the event of an E1 error this is not good! Particularly as the error seems to be growing! Plus, there is all that time off over Christmas and New Year when I planned to sew.....
Which brings me to shopping. Well, you knew it would didn't you?!
I think I may be the only serious quilter I know who only has one machine. In fact I have only ever had two in my life. When I thought I might try quilting I bought a Toyota for £99 from an advert. Big mistake. Useless thing. It went back within weeks, which of course is all the time you need to get hooked and I upgraded to the Janome Memorycraft 6600 whch I love.
So, shall I now get a new one? I think most people who have more than one have them because they upgraded and kept the old ones rather than buying a new one with less features on than their main one. But, given our refurbishment costs at the moment I am not in the market for a bigger better machine. I am assuming the old one is mendable and am wondering whether to get a smaller one for times just as this. Just as I keep a spare hairdryer because, if and when the one I use all the time blows up, it is going to do so when I have wet hair and am about to go out. Some time ago I sold a quilt and used some of the profit to buy an embellisher. I held back the remaining profit for something significant and special. Maybe this is what it is for!
So - help me. Either pop around with a spare machine for me to borrow or, leave me a comment to help me make up my mind, would you? Should I be patient and do hand work for a while or should get a new second one asap so I can sew over the holidays? I can stillget next day delivery before Christmas if I order very soon and it doesn't snow too much more. Tell me, If you have more than one do you use them all and if so when do you use which ones? Do any of you have a Janome Jem Platinum 760?
Thursday, December 16, 2010
Munich Part 2
There was a stark contrast during our trip to Munich. First, Dachau memorial park, site of the nazi conceptration camp. It is in easy 10 min train and short connecting bus ride from the city. I actually went when I was interrailing when I was 17 but Dennis had never been and we are both firm believers that everyone should take time to visit places like this. It is of course grim, although in many ways less immediately affecting than Auschwitz - possibly becuase less remains standing.
And then back to the tinselly glitter of the Christmas markets.
Did you notice that I learned a new skill in Picassa? Amd I overdoing my collages? It is is much quicker that postng all the photos individually.
So what else from Munich? Not a lot. Terry commented on my packing dilemma post that she never swam in hotels and would I really go swimming? Oh yes. If there is a free spa quality pool I am in it as often as possible. And I love it when I get to be there alone. And this one was amazing. It was less pool more swimming cave. You need to use your imagination for this because for obvious (wet) reasons I have no photos.
You enter the pool down wide water covered steps. All the walls in this area are covered with either small black mosaic tiles or large deep grey stone. The wall to your right is straight and as you get to the bottom of the steps there is a cut out arch in that very high wall but the arch is only about a foot and a half above the water. Just enough to swim under. That leads you to a rectangular area in which there is a button operated set of jets, an on demand waterfall and a small thin window that lets you see out to reception ad lets in the only natural leight into this stone vault. In the pool the window is normal height but in reception it is almost floor level and unobtrustive. If you swim back out under the arch so the steps are to your left the room is thens shaped as a curved corridor sweeping round to the right to an oval area behind the steps - think tadople shaped. The tail of the tadpole is the corridor you swim down - wall to wall water and the only lights are green underwater lights so it is like a cave. In the oval room are verticle jacuzzi jets set in plates on the floor. Every time you move past the steps from one area to the other you catch a glimpse of burning church candles out to the reception area. It was all somewhere between womb like and surreal but very relaxing. Then there was the sauna and steam rooms - nude areas. And no I didn't. Interestingly no women I saw did go without costumes, but lots of men did. Go read into that what you will!
This part of the memorial sculpture is the only colour around.
Did you notice that I learned a new skill in Picassa? Amd I overdoing my collages? It is is much quicker that postng all the photos individually.
So what else from Munich? Not a lot. Terry commented on my packing dilemma post that she never swam in hotels and would I really go swimming? Oh yes. If there is a free spa quality pool I am in it as often as possible. And I love it when I get to be there alone. And this one was amazing. It was less pool more swimming cave. You need to use your imagination for this because for obvious (wet) reasons I have no photos.
You enter the pool down wide water covered steps. All the walls in this area are covered with either small black mosaic tiles or large deep grey stone. The wall to your right is straight and as you get to the bottom of the steps there is a cut out arch in that very high wall but the arch is only about a foot and a half above the water. Just enough to swim under. That leads you to a rectangular area in which there is a button operated set of jets, an on demand waterfall and a small thin window that lets you see out to reception ad lets in the only natural leight into this stone vault. In the pool the window is normal height but in reception it is almost floor level and unobtrustive. If you swim back out under the arch so the steps are to your left the room is thens shaped as a curved corridor sweeping round to the right to an oval area behind the steps - think tadople shaped. The tail of the tadpole is the corridor you swim down - wall to wall water and the only lights are green underwater lights so it is like a cave. In the oval room are verticle jacuzzi jets set in plates on the floor. Every time you move past the steps from one area to the other you catch a glimpse of burning church candles out to the reception area. It was all somewhere between womb like and surreal but very relaxing. Then there was the sauna and steam rooms - nude areas. And no I didn't. Interestingly no women I saw did go without costumes, but lots of men did. Go read into that what you will!
Renovation thrift
Lest you think that owning (and incessantly ranting on and on about) my beautiful and cool tap makes me a spend thrift let me show you this:
The extractor fan I fell in love with. Cost £1500. Stupid money. But it was beautiful and cool.... and only suitable for a hob on an island which we decided not to have.
The lampshade I did buy for over the island. Cost. £34.95
Oh and the dressing room is now wall papered and awaiting an injection of colour via textiles.
The extractor fan I fell in love with. Cost £1500. Stupid money. But it was beautiful and cool.... and only suitable for a hob on an island which we decided not to have.
The lampshade I did buy for over the island. Cost. £34.95
Oh and the dressing room is now wall papered and awaiting an injection of colour via textiles.
Wednesday, December 15, 2010
Munich Part 1
First to the Sofitel. Swish 'junior suite' sourced at bargain pay-in-advance-heavily-reduced price. Which is blog code for 'staying way above my station in life and can't bring myself to part with 28 euros each for the breakfast so bought in goodies from the delicious station bakery each day instead.'
Its extremely handy location next to the main train station means views are mostly of the facing buildings or, on our side of the building, of the station tracks. But there is no noise. Unless Someone Else likes to play with all the switches they don't understand and accidentally and unwittingly opens an electrically operated window high, high up over the bed and freezes their wife's feet off when all she is trying to do is have a little relax downstairs. Then you get a little of the station announcements. And of course when you learn all the switches Someone Else can play with the in built electric blinds to his hearts content - up,down,up, down, until it snows and then there is kind of no point. Because then the view of the choo-choos becomes this.
From this you can deduce that it was Cold in Munich.
And the girl is not keen on Cold.
But she can be cheered up with street food.
Note bene: two coats, two scarves. Both worn.
And she can be cheered up even more with not one but two visits to a quilt shop especially when the second is at Someone Else (Who Has An Atonement To Make)'s suggestion for the purpose of a present being bought.
The shop Quilts und TextilKunst is on Sebastietnplatz whch is not on any of the tourist maps we had but is very easy to find because it is between the Viktuelenmarkt ( the fanous and central food market) and the Jewish museum at JakobsPlatz. It has some nice cafes very near by and a pottery painting shop opposite. Like all European shops it is expensive for fabric compared with at home so the bag contains two German magazines and one 'Becuase-I-Had-To' FQ which, for the rest of the day proved extremely useful to wrap around my right ankle to stop my new snow boots chaffing my leg to bits.
At the back of the shop is a small exhibition area and there was to be found A Slice of Quilt Art by the QuiltArt group. The present the next day was the catalogue from that and the QuiltArt 25 show also.
Friday, December 10, 2010
Packing heavy
Pam, Ace House Cleaner and Queen of Finding Missing Things knows me too well. This morning when she arrived for work I was bemoaning the fact that people go for a weekend away with a small carry on case and my packing so far for a two hour flight and three nights in Munich involves a suitcase, a cabin sized suitcase and a handbag sized back pack. (And that's just my stuff. Dennis says he can't choose what to take until he sees how much luggage is left for him.)
"How do they do it?" I asked Pam "Why can't I do it?"
"It's all the quilts." she said.
Huh. All the quilts is an exaggeration. But it is true that the cabin bag houses a sizeable hand quilting project and a box of threads. Well, I have time at the airport and on the plane and after dinner (because we are notoriously early eaters on holiday)...... But even if I take that out there is still the matter of the suitcase. I have pared to the minimum but clearly I need help. Which is why God invented Blog Readers.
I was about to ask you this:
Which of the following shall I take out?
Long, smart coat and short, casual coat
Two hats and two scarves - one to match each coat
Snow boots because snow is forecast
Trainers because a day without snow is forecast
Decent shoes to wear to restaurants
Three pairs of jeans (bear in mind one or more pairs might get wet in snow/sleet/rain )
One pair evening trousers
One glitzyish jumper for nice meals in evening
One big polar neck thick sweater
Two different sets of three thin sweaters to be worn in conjunction to create two warm outfits that can be peeled off when I go from colds markets to hot cafes/ shops. A trick I learned in Kyoto
Swimming costume for hotel pool
One book, three magazines
Washbag
Camera
I will cop to the fact that a pair of jeans could be sacrificed. But really - is that one pair going to make a difference?!
But then, I was driving to work pondering which part of this made me abormal and when I arrived I had a an email from a dear friend telling me that she had gone to Starbucks for a couple of hours and had packed
2 Quilting Arts magazines
sketchbook
list notebook
new book on collage
new book about marriage
laptop for online shopping
That email made me happy.
These people who carry on a small bag..... Shame. So abnormal. They must really struggle with that.
I might add another scarf. just for variety.
"How do they do it?" I asked Pam "Why can't I do it?"
"It's all the quilts." she said.
Huh. All the quilts is an exaggeration. But it is true that the cabin bag houses a sizeable hand quilting project and a box of threads. Well, I have time at the airport and on the plane and after dinner (because we are notoriously early eaters on holiday)...... But even if I take that out there is still the matter of the suitcase. I have pared to the minimum but clearly I need help. Which is why God invented Blog Readers.
I was about to ask you this:
Which of the following shall I take out?
Long, smart coat and short, casual coat
Two hats and two scarves - one to match each coat
Snow boots because snow is forecast
Trainers because a day without snow is forecast
Decent shoes to wear to restaurants
Three pairs of jeans (bear in mind one or more pairs might get wet in snow/sleet/rain )
One pair evening trousers
One glitzyish jumper for nice meals in evening
One big polar neck thick sweater
Two different sets of three thin sweaters to be worn in conjunction to create two warm outfits that can be peeled off when I go from colds markets to hot cafes/ shops. A trick I learned in Kyoto
Swimming costume for hotel pool
One book, three magazines
Washbag
Camera
I will cop to the fact that a pair of jeans could be sacrificed. But really - is that one pair going to make a difference?!
But then, I was driving to work pondering which part of this made me abormal and when I arrived I had a an email from a dear friend telling me that she had gone to Starbucks for a couple of hours and had packed
2 Quilting Arts magazines
sketchbook
list notebook
new book on collage
new book about marriage
laptop for online shopping
That email made me happy.
These people who carry on a small bag..... Shame. So abnormal. They must really struggle with that.
I might add another scarf. just for variety.
Thursday, December 09, 2010
Quilts
Remember when I used to write about quilts and not just my house? Well, I finally finished my 'South Island of New Zealand Quilt'. Note the 'put the quilt on the floor and stand on the sofa' slapdash photography technique.
I am also working on some hand stitching of a quilt I started with Lisa Walton in her Crystalisation class at Midsomer Quilting in September and which ( becuase I am a rebel) looks nothing like her class samples. I shall show the full thing when finished. Here is a teaser.
I chose the word fabric as my starter in the shop at Picton because the various words so summed up the relaxing time I was experiencing. the other fabrics were all bought on my shopping trips in South Island.
Then, on a roll, I actually started one to play with my Aboriginal fabrics which came with me from Australia ( never!) and some batiks from PIQF. Packing boxes turn out to be a good place to set blocks out. I started with something simple and quick for my own play satisfaction and so it will work as a magazine pattern. But I have ideas for later faux complications.
I am also working on some hand stitching of a quilt I started with Lisa Walton in her Crystalisation class at Midsomer Quilting in September and which ( becuase I am a rebel) looks nothing like her class samples. I shall show the full thing when finished. Here is a teaser.
This is my TV sewing. So relaxing. No precision required whatsoever.
Answering your kitchen questions
I have never quite worked out the ettiquette for answering people's questions posed in a blog comment. I mean, I always email the person direct with the answer - that much is obvious. But, on the assumption anyone reading the comment might want know the answer do you answer with a comment - which people probably won't go back to read, or with a new post? I am playing safe and going for all three!
So, thank you all for your kitchen compliments.
The cabinets are Burford Cream Gloss from Howdens which is a trade only place. Do not believe the catalogue price. Thye routinely give about 70% off to your tradesman. Which aas well as noone would pay the catalogue prices which is clearly inflated so your tradesman can say he got you a big discount. And they don't sell direct anyway so who are those prices for? We then accidentally decided on a new kitchen when the sale was on too and didn't even know until the builder suggested we complete the order before the end of the month and store it in the garage to save money.
For the ignorant yank ( self titled but surely not!) who asked about the round thing embedded in the island:
A pop up socket so I can plug in hand mixers, blenders etc at my baking island. It actually has three sockets if you pull it up enough.
And Terry, the black sink is 'composite'. Whatever that is.
And Kristin, I am delighted you like the 'wood' countertops. because they are not wood. I wanted granite becuase it is shiny ( and beautiful and cool). But noone would sell it to me. Seriously. all the many kitchen shops went to told me it was overpriced, showed me how its scratches like mad and warned me off it in no uncertain terms. So then I decided on wood block. They would sell me that but warned that you need to care for it and oil it like a cricket bat. Dennis knows excactly how low my tendency is for oilng wooden thngs and banned it. So we got laminate because everyone said it looked fine, was easy care and was priced so you can change it every couple of years without blinking if you want to change the look of the kitchen. I balked because I remembered my mother's 1970's laminate but it has changed a lot since then.
So, thank you all for your kitchen compliments.
The cabinets are Burford Cream Gloss from Howdens which is a trade only place. Do not believe the catalogue price. Thye routinely give about 70% off to your tradesman. Which aas well as noone would pay the catalogue prices which is clearly inflated so your tradesman can say he got you a big discount. And they don't sell direct anyway so who are those prices for? We then accidentally decided on a new kitchen when the sale was on too and didn't even know until the builder suggested we complete the order before the end of the month and store it in the garage to save money.
For the ignorant yank ( self titled but surely not!) who asked about the round thing embedded in the island:
A pop up socket so I can plug in hand mixers, blenders etc at my baking island. It actually has three sockets if you pull it up enough.
And Terry, the black sink is 'composite'. Whatever that is.
And Kristin, I am delighted you like the 'wood' countertops. because they are not wood. I wanted granite becuase it is shiny ( and beautiful and cool). But noone would sell it to me. Seriously. all the many kitchen shops went to told me it was overpriced, showed me how its scratches like mad and warned me off it in no uncertain terms. So then I decided on wood block. They would sell me that but warned that you need to care for it and oil it like a cricket bat. Dennis knows excactly how low my tendency is for oilng wooden thngs and banned it. So we got laminate because everyone said it looked fine, was easy care and was priced so you can change it every couple of years without blinking if you want to change the look of the kitchen. I balked because I remembered my mother's 1970's laminate but it has changed a lot since then.
Wednesday, December 08, 2010
Help! Fire!
I do have an inner arsonist in me, it is true. I mean who can resist putting paper napkin pieces into the candle flame in a restaurant? But I truly did not mean to set the country lane behind us on fire. Or to grow scary triffid like things in the garden.
This is what happens when you have no idea how to use the non-point and shoot functions on your camera but have some vague idea that increasing exposure time might enable you to take a picture of snow in the dark before you go to work. And when you don't bother with a tripod.
This is what happens when you have no idea how to use the non-point and shoot functions on your camera but have some vague idea that increasing exposure time might enable you to take a picture of snow in the dark before you go to work. And when you don't bother with a tripod.
Kitchen progress
First - any idea what this is?
Or indeed, this?
Yup. One beautiful and cool and (halleluja) working tap.
Thanks to the builder falling off someone elses roof,** the kitchen is stil missing vital components like a floor and a windowsill and textiles and butternut squash*. But thanks to said builder orgainsing subcontractor joiners from his hospital bed, it is functional and I have been enjoying using it.I love the island.
Here are some photos.
I love my pull out thingies too - there are others hidden around the place. This hidden bin was a last minute addition. It is where the radiator should have been. Only the electrcian suggested a plinth heater whch was a stroke of genuis. Assuming when it is connected it works. It will of course all look much better when decorated. And the careful measuring to ensure the island fitted in and all the doors still opened was time well spent as it all works a treat. The island has three drawers on the sink side and is my baking station.
Of course when moving in we had to decide where everythng went. I like to think my decisions were logical. And Dennis was right there when everythng was put away.
So, can he put things back where they belong? No, he cannot. So, when looking for the missing item I have to consider where his brain might have put it. The tea strainer was not in its drawer tonight. That would be the drawer nearest the kettle and the mugs. The one with the teaspoons also in it. The one beneath the teapot. I eventually found it and kindly, wthout even the hint of an irritated hissy fit, wrapped my request that he please put things back where they belong, by presenting him with a ready made excuse. "I found it in the baking station. I can understand that it looks like a sieve so you put it with the flour sieves in the baking drawer, but it isn't a sieve its a tea strainer and I only used it that once to dust incing sugar on your mince pies becuase we hadn't unpacked the icing sugar shaker, so it goes with the tea making equipment. But at least you had some logic to where you put it."
He looks amazed.
"Thats not true but is really complimentary. I'd never be able to think all that."
* Dennis spotted a receipe for butternut squash and wensleydale risotto and requested it for our first meal cooked on a hob in weeks. So off we went to the supermarket to do a two trolley shop having not had any cupboards to store food in for weeks. Did we remember to buy a squash? No we did not. Does it work if you substitute a pumpkin? No it does not. Well, it might if said pumpkin was not one you bought in September and just rediscovered when moving into your new kitchen. However, I can confirm that frozen peas and corn go well with cheese in a risotto!
** The builder is fine but has a badly broken foot now in a cast and attached to his leg with metal plates. He says he can put screws in straighter than the surgeon can. He is anxious to return to work and plans to come in his wheel chair to supervise his team, but not until later this week as his cousin has died and the funeral is soon. I have told hin to stay away until the third of his'things happen in threes' is over.
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